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Sun Journal, sister publications being purchased by another Maine-based newspaper group

The family-owned newspaper group whose flagship is the Sun Journal of Lewiston, Maine, is being sold as of Aug. 1 to SJ Acquisition, which is controlled by RFB Holdings, owner of MaineToday Media, Alliance Press in Brunswick, Maine, and Courier Publications, based in Rockland, Maine.

“After four generations of family ownership, selling Sun Media Group was a difficult decision for the Costello family,” said Steve Costello, vice president of advertising and marketing, on behalf of the Costello family. “The decision was made after many discussions by the family, together with our outside board of directors, and we determined that the company could best succeed in an organization with broader resources and reach.

“Reade Brower, owner of RFB Holdings, shares our belief in a bright future for the community newspaper business, one that includes printed products as well as exciting new products and services made possible in our continually evolving digital world,” Costello said.

Sun Media Group has grown from one daily newspaper based in Lewiston whose origin dates to 1861 to owning and operating 17 publications, all in Maine. They are the Sun Journal; the Forecaster and Current Publications, based in Falmouth and with the following editions: The Portland Forecaster, Northern Forecaster, Mid-Coast Forecaster, Southern Forecaster, the American Journal of Westbrook and the Lakes Region Weekly; the Advertiser Democrat of Norway; the Rumford Falls Times; The Bethel Citizen; The Franklin Journal of Farmington; the Livermore Falls Advertiser; The Rangeley Highlander; The Penobscot Times of Old Town; Maine Women Magazine, 95 North and My Gen magazines, all based in Falmouth. Sun Press, a commercial printing division in Lewiston, is also part of Sun Media Group.

RFB Holdings’ Maine print and online publications and printing services include MaineToday Media, made up of the Portland Press Herald, Maine Sunday Telegram of Portland, Kennebec Journal of Augusta, Morning Sentinel of Waterville, and Coastal Journal of Bath; Courier Publications, made up of The Courier-Gazette of Rockland, The Camden Herald, and The Republican Journal of Belfast; VillageSoup.com; VSTV, based in Rockport; The Free Press of Rockland;  RFB Print Co-Op, based in Rockland; Alliance Press in Brunswick; and specialty publications, including  travelMaine, based in Rockport, and TREB (The Real Estate Books) of Mid-Coast Maine, Portland and Portsmouth, N.H. RFB also owns the Rutland Herald and The Barre-Montpelier Times Argus, both in Vermont,

Brower said: “It is an honor to become the next steward of the Sun Media Group brands as I have great respect for the Costello family. We are focused on a smooth transition and pledge to continue the traditions established by four generations of the Costello family serving readers and the community.”

Lisa DeSisto, chief executive officer and publisher of MaineToday Media, will also be chief executive officer for Sun Media Group.

“We have been collaborating with Sun Media Group for years in printing, distribution and digital services. This acquisition gives Sun Media Group and MaineToday Media even more opportunities to collaborate while maintaining the distinct and trusted brands of each company. We are excited to work with the Sun Media Group team to see all we can accomplish together,” she said.

Costello said: “Our family takes great pride in our award-winning publications and in the talented and dedicated employees with whom we have worked through the generations. We are also enormously thankful for the support and loyalty of our readers through the years.

“We have been committed stewards of Sun Media Group and we felt strongly that the new owner needed to reflect our community journalism values as well as the responsibility we feel to our employees and the communities we serve. We found what we believe to be the best fit in RFB Holdings, a strong, Maine-owned company with similar values and the resources and expertise to maintain and develop what we have built.

“Throughout our four generations of family newspaper ownership, we have appreciated the privilege of serving the communities of Central and Southern Maine, and we continue to be extremely grateful for their support. By combining the resources available at Sun Media Group and RFB Holdings, community news, community sports, digital platforms and advertising services will be enhanced with expanded coverage throughout the region,” Costello said.

The sale of the Sun Media Group assets is scheduled to close Aug. 1 according to John Cribb and Randy Cope of Cribb, Greene & Cope, representing the Costello family. Cribb, Greene & Cope is a merger and acquisition firm with offices in Montana, Virginia, and Missouri.

The story is based on information from a press release by Sun Media Group.

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NENPA moves to Woburn, Mass., from its longtime home at Northeastern University

The New England Newspaper and Press Association has relocated.

As of the week of June 26, NENPA is headquartered at One Arrow Drive, Suite 6, in Woburn, Mass.

The move ends a 67-year residence at Northeastern University for NENPA and one of its predecessor organizations, the New England Press Association, including in several locations on its Boston campus and, most recently, on its Dedham, Mass., campus,.

The move involves new telephone and fax numbers and email addresses as well as new mailing and delivery addresses.

The main telephone number is now (781) 281-2053. The new fax number is (339) 999-2174. The website remains www.nenpa.com

The new telephone numbers and email addresses for the NENPA staff are as follows:

Linda Conway, executive director, l.conway@nenpa.com, 781-281- 7648
Megan Sherman, assistant director, m.sherman@nenpa.com, 781-281-7284
Una Creedon, finance director, u.creedon@nenpa.com, 781-305-4957
Lynette Williams, operations coordinator, ly.williams@nenpa.com, 781-281-2053
Dawn Orvis, media coordinator, d.orvis@nenpa.com, 781-305-3134
Kristen Hafford, Web/technology manager, k.hafford@nenpa.com,   781-305-3134
Link McKie, NENPA Bulletin editor, l.mckie@nenpa.com, 781-305-3134

Please email the staff if you have any questions, and you will receive a response as soon as possible.

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Obituaries

Henry E. Josten, ex-newspaper owner, reporter, columnist, editor, publisher

Henry Josten
Henry Josten

Henry E. Josten, 94, of Old Saybrook, Conn., died June 17 at the Bride Brook Health and Rehabilitation Center in Niantic, Conn.

He was a reporter, columnist, editor, publisher and newspaper co-owner during his 65-year career.

He was president of the former Connecticut Editorial Association and New England Press Association. He became a member of the New England Newspaper Hall of Fame in its first year, 2000. Josten and newspapers with which he was associated won more than 200 state and national awards.

His career began in 1941 as a copy boy for the New Haven (Conn.) Register. A year later, he became a reporter for The Middletown (Conn.) Press. He later was promoted to county editor.

In 1947, he joined The New Era of Deep River, Conn., as managing editor.

The next year, the company that owned the New Era added The Hamden Chronicle and, later, several weekly newspapers, including the Connecticut Jewish Ledger of West Hartford, The Dolphin of Groton, the Niantic News, East Hampton News/Colchester Citizen, and Branford Review, all in Connecticut.

Josten became a co-owner and president, co-publisher and editor of the company in 1960.

The ownership group of which he was part sold the New Era in 1974 to the owner of the Pictorial Gazette of Old Saybrook, who merged the New Era into the Pictorial Gazette.

Josten was appointed as editor. He wrote stories, editorials and three columns a week: “The View from Here,” “Business Beat” and “Josten’s Jottings.” He retired from the Pictorial Gazette at age 71.

During his career, Josten interviewed headliners in Connecticut in politics, theater and sports, and did travel writing.

For 25 years ending in 1973, Josten did public relations for the Ivoryton Playhouse in Essex, Conn. He met and dealt with Hollywood and Broadway stars, including Don Ameche, Marlon Brando, Gloria Vanderbilt, Doris Day, Jack Lemmon, Claudette Colbert, Mae West, Tallulah Bankhead, Shelley Winters, Sylvia Sidney, Groucho Marx and Karl Malden

He leaves his wife, Elsa; a daughter, Madeline; three grandchildren, Eric, Caroline and Jay.

Mark H. Batterson

Mark H. Batterson, 65, of Rocky Hill, Conn., died in his home June 21 after battling amyotrophic lateral sclerosis, also known as Lou Gehrig’s disease, since November.

Batterson was employed with the New Britain (Conn.) Herald beginning after graduating from college, including as suburban editor, night editor, and managing editor.

“Working with Mark was stepping up your game,” James H. Smith said in Batterson’s obituary in the Herald. Smith was executive editor of the Herald and The Bristol (Conn.) Press in 2010 when Batterson was managing editor and the Herald won a New England Newspaper of the Year award from the New England Newspaper and Press Association.

“He somehow made you want to do your best. You didn’t want to disappoint him. And nobody worked harder than Mark. He knew news. He knew the community he served. He knew justice and truth and he interjected it into his newspaper with vigor every day of his working life,” Smith said.

Batterson was business editor for The Middletown (Conn.) Press

He had freelanced for other newspapers and magazines in Connecticut.

He retired for health reasons last year from the layout department of the Journal Inquirer of Manchester, Conn.

He leaves his wife, Ellen; a daughter, Liz; a grandson; a granddaughter; a great-granddaughter; a sister.

Louie Frank Blackwell

Louie Frank Blackwell

Louie Frank Blackwell, 80, died June 24 at Norwalk (Conn.) Hospital.

He was employed at the Norwalk (Conn.) Hour.

He leaves his wife, Laura; a daughter, Audrey; a son, Elgin; a surrogate daughter, Paulette.

The obituary rewrites were done, at least in part, from published reports by Bulletin correspondent Joshua Leaston, an undergraduate student at Northeastern University.

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Transitions

Joseph Charpentier

MAINE

Joseph Charpentier is joining the Boothbay Register of Boothbay Harbor as a full-time reporter. He replaces Morgan Callan Rogers, who now will be a part-time news contributor to the Register. Charpentier’s coverage will include local government, schools, sports and community events. He has been with a couple of newspapers and has been a copywriter.

Dan Cotter

MASSACHUSETTS

Dan Cotter has left GateHouse Media New England, where he was director of sales development and training, and moved to Chicago, where he is a consultant on revenue, sales training, product development and research for newspapers. Before his job with GateHouse Media New England, which publishes six daily newspapers, 98 weekly community newspapers, and 168 local news websites in five states, Cotter spent five years as executive director of the New England Newspaper and Press Association. Before that, he spent a decade as chief operating officer of Urban & Associates Inc., a newspaper research and consulting company based in Sharon. He also spent almost 20 years with Pulitzer Publishing Company in St. Louis, Mo. He was its director of newspaper strategic planning and its vice president of marketing for Pulitzer’s community newspaper division. Also with Pulitzer, Cotter was publisher of the Santa Maria (Calif.) Times; vice president and circulation director of the St. Louis Post-Dispatch; vice president and circulation and marketing director for the Chicago Daily Southtown; and marketing and research manager for the St. Louis Post-Dispatch. He founded a company that designs and coordinates research studies known as the Suburban Focus Group-Boston. In 1990, he received the Gerold Zarwell Award, which is the Newspaper Researchers Council’s highest honor.

The Transitions were written, at least in part, from published reports by Bulletin correspondent Joshua Leaston, an undergraduate student at Northeastern University.

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Dominant photo is basic in sports front design

Ed Henninger design
Ed Henninger design

Ed Henninger
Design

ED HENNINGER is an independent newspaper consultant and the director of Henninger Consulting.

Website: www.henningerconsulting.com
Phone: (803) 327-3322

WANT A FREE evaluation of your newspaper’s design?
Just contact Ed: edh@henningerconsulting.com | (803) 327-3322

IF THIS COLUMN has been helpful, you might be interested in Ed’s books: “Henninger on Design” and “101 Henninger Helpful Hints.” With the help of Ed’s books, you’ll immediately have a better idea how to design for your readers. Find out more about “Henninger on Design” and “101 Henninger Helpful Hints” by visiting Ed’s website: www.henningerconsulting.com

Many community newspapers put strong effort into covering high school sports. They understand that their high school teams are a key ingredient in the glue that holds the community together.

When designing their sports front page, however, many sports editors try to give all sports fair play. By doing so, they often create pages much like example #1 illustration.

There’s only so much space on their front page (and sometimes less, to allow for ads), and they cram in too many photos. As a result, none of the photos is large enough to be the lead visual.

When too many photos of like size are placed on the page, it’s difficult for readers to know which of the packages is more important. There’s no focus — each package calls for attention with the same “visual volume” as those around it.

What’s the lead? What’s the second most important report? What’s the third, and so on? Readers get no sense of hierarchy on a page with four or five like-sized photos.

Example #2 works much better. It immediately gives readers a sense that the larger photo is part of a lead package. The other photos are no more than half the size of the lead photo, helping readers to understand that those packages are not as important as the lead report.

I appreciate that sometimes it’s difficult for us to decide which is the lead item. What if the boys basketball team just lost in overtime to their cross-county rivals, but the girls volleyball team won a squeaker over the same cross-county school? Hmmm … which gets the lead? Well, there you might have to rely on the better photo. If the picture shows the winning spike by the girls volleyball team, I’d want to make that the lead.

Another point: You can’t make everyone happy.

I recall a sports editor years ago asking me: “I report on three high schools. Can you design me a front page that gives them all equal play?”

I thought that over for a moment and responded: “Yes, I can … but I won’t.”

“Why not?” the editor asked. “If I don’t try to give them equal coverage, I get calls from upset parents.”

I answered: “You’re the sports editor. You’re paid to handle those calls. What if one of the teams you cover has a record of 11-1 and the other two are 3-9 and 2-10? Do you really think it’s good journalism to give them all the same space?”

When I shared that story with the publisher, he just shook his head, grinned and said: “Yeah. That’s Bob.”

Don’t be Bob. Make choices on your sports front. And let the photos guide you to making choices that will help your readers.

Sports page example #1
Too many photos, most the same size, create a cluttered, confusing page.
Sports page example #2
Photo use is much better in this layout.
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From the Slimp mailbag …

Kevin Slimp technology
Kevin Slimp technology

Kevin Slimp

Kevin Slimp is director of the Institute of Newspaper Technology.

Email questions to him at
kevin@kevinslimp.com

Convention season has been a lot of fun for me this year. I just returned from visits with associations across the Midwest United States and Western Canada, and there is a definite intensity brewing among community newspaper publishers. There were more publishers wanting a private moment to discuss their thoughts, and longer lines of folks waiting to talk to me after sessions.

As I entered the ballroom at the Illinois Press Association convention, I couldn’t help but smile. I was scheduled to speak on the topic, “What’s Going on at Newspapers Today,” and I had a feeling there would be a need for more chairs and it was inspiring to see every seat filled and more chairs brought into the room as I spoke. Still, a dozen or so folks stood in the back to hear what I had to say about the mood of the industry.

In the vendors area at that convention, I was greeted by Virginia publisher Matt Paxton and Wisconsin publisher Andrew Johnson, both representing the National Newspaper Association. We probably could have talked for hours, but time was limited because I had to lead a session. We continued the discussion, centered around the crucial need for more honest conversations about the state of the industry, during breaks the next two days.

As I see at so many places I visit, both Matt and Andrew are at healthy newspapers and weren’t surprised to hear that most of the papers I visit are reporting steady or improved health the past three years. I have a feeling we will meet together soon to continue that discussion.

Stan Schwartz, editor of Publishers’ Auxiliary, was also in the audience in Illinois. At one point, while helping me distribute some materials, he said: “You know what people like? They love your Question and Answer columns.”

Stan knows what he’s doing. If he says readers like Question and Answer columns, I believe him.

Here are some of the questions I’ve received from readers and friends recently:

From Janet in Tennessee

I know you’re on the road, but we really need your help. Our production Mac has a white screen and we’ve tried restarting it. Nothing seems to work. Please help.

In the old days, Janet, it seemed like restarting a computer fixed most problems. It still fixes some, but in this case it takes a little more work. When restarting a computer doesn’t work, unplugging the computer for several minutes, then restarting, sometimes does the trick.

Both Macs and PCs sometimes need to be unplugged. These are the steps I sent to Janet that got her computer up and running: Turn off the computer for several minutes, then restart while pressing the Option+R keys immediately after hearing the Apple chimes. When the computer starts up, you should see the OS X utilities menu. Select “Disk Utility” and click “Continue.” Select your start-up disk and click “Repair Disk.” Then reboot your Mac.

From Mark in Ohio

We have “lost” an important folder of InDesign pages on our Mac server. This is the only thing missing. We do use the Amazon backup service every night. We were using the folder four nights ago, but now it has vanished. Is there any “back door” way to find this file? Or anything else you can think of?

I’m glad you have the daily backup, Mark. As long as the folder is there, you’ve lost a few hours at the most.

My conversation with Mark highlights the importance of running Time Machine, which creates an hourly backup of your Macs, and the importance of having an off-site backup. There are many good cloud backup services out there, and most cost about $5 a month per computer or even less if you subscribe for an entire network of computers.

From Ken in Manitoba

What’s the best way to back up our email? If we ever lose it, we’d be in a bind.

If you take a look at Mark’s question, you’ll find your answer. It’s important to use Time Machine or some other local backup, in addition to an off-site backup. Many cloud (off-site) systems offer both off-site and local backups (to a USB drive or other device). Carbonite (carbonite.com) is one of many such systems.

From Buddy in Georgia

I’d like to pick your brain for a moment. Many of our printing customers are having a similar problem: black text printing on all four plates. Do you have any suggestions to help with this issue?

Yes, Buddy, I do. Most folks see a file like this and think the problem was caused by using “registration” instead of black in the text. That’s usually not the case. This happens primarily when the text has been converted to RGB. This can happen in two places, but usually happens when converting the file to PDF. Check the settings in either InDesign or Acrobat and make sure nothing is set to convert to RGB. The safest setting is “Leave Color Unchanged.”

When black text prints on all four plates, causing registration problems, the culprit is usually incorrect settings in Acrobat or InDesign.
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How to make a good second impression

John Foust Advertising
John Foust Advertising

John Foust

john-foust-ad-libs

John Foust has conducted training programs for thousands of newspaper advertising professionals. Many ad departments are using his training videos to save time and get quick results from in-house training.

Email for information: john@johnfoust.com

Don, who manages a newspaper sales department, is always looking for ways to strengthen customer relations.

“We understand the importance of first impressions,” he told me. “Know something about the prospect’s business before calling. Show up for the first appointment with a big smile and a firm handshake. Ask questions to learn about their overall situation and their marketing goals.

“All of that is important,” he said. “But what about second impressions? I’ve been hearing a lot about that lately. We all know from personal experience what it’s like for a salesperson to treat us like royalty during an initial meeting, then act like they barely know us after that – especially if we don’t buy something right away. That’s why the things we do in that second contact can make a big difference in the salesperson-customer relationship.”

Here are some ideas:

  1. Express appreciation immediately. “A good old-fashioned ‘thank you’ is a must,” Don said. “Simply thank them for taking the time to meet with you. An email is faster, but a handwritten note is more memorable.”
  2. Email a summary of your meeting. “This can save a lot of headaches down the road,” Don said. “The more you discussed in your first conversation, the greater the need for a summary. For example, here’s a short version of what you could say: ‘Thank you for taking some time to meet with me to discuss marketing ideas. We discussed: Point 1, Point 2 and Point 3. The next step is for me to provide you with a detailed proposal by the end of next week. Looking forward to our next conversation.’ ”
  3. Send business-related information. “Obviously, this can be related to your conversation,” he said. “For example, if you talked about zoned coverage or click rates, send more details. If you can do a little online research, find some relevant ads that worked well for a similar business in another market. Or maybe you can find a couple of famous ads for national brands, which your prospect could find interesting. Make sure they illustrate advertising principles that can help his or her business.”
  4. Send non-business information. If you learned that he is a golfer, email a link to an interesting video about golf. If she mentioned that her family is planning a vacation to Europe, send a related link or clipping from your paper’s archives.
  5. Ask for more details about the things you discussed. For example, if you’re working on a marketing proposal, do you need more information about prospective target audiences? Would you like to have more statistics on sales of their seasonal products? Would it help to have a list of loyal customers who could be willing to provide testimonial quotes?

“It’s smart to ask questions at this point,” Don said. “It helps you learn more and it keeps the client engaged in the development process.

Don’s ideas make a lot of sense. A salesperson has only one chance to make a second impression.

 

(c) Copyright 2017 by John Foust. All rights reserved.

 

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Maine editor recalls taking on local bank, and the toll it took

Photo courtesy of Earl Brechlin

By Kehinde Sokan, Bulletin Staff

‘The board of directors of the bank are business owners throughout the community. So, not only did the bank pull its advertising because of our stories, but so did other businesses in solidarity, including our largest advertiser.’

— Earl Brechlin, Former editor
Bar Harbor (Maine) News, Current editor
Mt. Desert Islander, Bar Harbor

Photo courtesy of Earl Brechlin

It was midafternoon on a spring day in 1994 when Earl Brechlin, then editor of the Bar Harbor (Maine) Times, was told by the newspaper’s receptionist that there was a call on the telephone for him from a man who wouldn’t leave his name.

Brechlin took the call, recognizing the voice as that of an employee of the First National Bank of Bar Harbor. The man asked to meet Brechlin that evening, requesting to come through a back door so as not to be seen by anyone on the street. Brechlin agreed. He left the lights off in the front office, and when the man arrived, led him to his secluded office in the back of the building.

During that meeting, Brechlin was informed that the bank was being reviewed by the federal Office of the Comptroller of the Currency, the Federal Home Loan Mortgage Corporation, and Federal National Mortgage Association.

The bank’s troubles began in 1992, “but matters such as these are kept quiet,” Brechlin said.

Brechlin, who left the Times in in 2001 to be editor of then-new Mount Desert Island of Bar Harbor, jumped on the story immediately.

Through sources, he was able to obtain documents from federal investigators.

The documents “detailed all the deficiencies they had found with the bank,” Brechlin said. “They had people on the board of directors who had loans without paperwork, and credit cards that weren’t being paid off. Most of the problems entailed people who worked at the bank or officers of the bank who were refinancing their mortgages and were obtaining federal loans through falsified documents.”

“There were concerns that appraisals were being artificially inflated to justify larger mortgages,” Brechlin said.

Before running his first story on the scandal, Brechlin ran it by the Bar Harbor Times’ lawyers to make sure that the paper would not be in any legal jeopardy, and then by the newspaper’s publisher.

Bulletin photo courtesy by Kareya Saleh
Bulletin photo courtesy by Kareya Saleh

‘Over the years in a small town I’ve had my storage shed torched, tires slashed, windows smashed and cameras stolen.’

— Earl Brechlin

“He knew there would be a fallout from covering the story, but told us to run it anyway,” Brechlin said.

After the story was published that detailed the alleged violations and the allegations against the bank, Brechlin was paid a visit at his office by an FBI agent. He was asked where Brechlin had obtained his information, but Brechlin refused to tell the agent. Brechlin had promised his sources that he would not reveal their identities and, fortunately, he didn’t have to.

“I guess they had plenty else to do, because they never bothered us again,” Brechlin said.

A couple of months into covering the story, with concerns about a conflict of interest and for his personal safety, Brechlin closed his multiple accounts with the bank.

“My checking account, my savings account, my mortgage were in that bank. So, while I’m writing about this, they can see my whole life,” Brechlin said. “So, I actually moved my accounts. I took about a 3 percent hit to my mortgage because I redid it at another bank with a higher rate just so I didn’t have any involvement with them.”

Brechlin covered the story for a year and a half, and he was greeted with anger from the bank’s executives.

“There was plenty of intimidation that there would be hell to pay (for) this stuff,” Brechlin said.

Members of the bank’s board of directors called the newspaper and complained about the stories.

“I wasn’t privy to the conversations, but I’m sure they had something to do with financial impact if we continued to pursue the story,” he said.

The Bar Harbor Times did take a substantial financial hit bringing the story to readers.

“The board of directors of the bank are business owners throughout the community. So, not only did the bank pull its advertising because of our stories, but so did other businesses in solidarity, including our largest advertiser (Shop & Save, which had a full-page ad in the Times),” Brechlin said.

Competing banks pulled their advertising too.

“It wasn’t to punish us, but they didn’t want to look like they were kicking a guy while he’s down,” Brechlin said.

The Bar Harbor Times saw a 10 to 15 percent revenue decrease for a couple of months, but fortunately the paper could afford it at the time, Brechlin said.

Brechlin was also treated with hostility by some members of the community.

“I didn’t receive any direct threats. Certainly I could walk in the grocery store and feel the darts in my back sometimes,” Brechlin said.

“There were different points in the story where I looked both ways before crossing the street,” Brechlin said with a chuckle.

Brechlin said being targeted for his work wasn’t new to him.

“Over the years in a small town I’ve had my storage shed torched, tires slashed, windows smashed and cameras stolen,” Brechlin said.

Although there were members of the community who were closely associated with those implicated in the investigations who were upset with Brechlin’s reporting of it, there were also people in the community who were grateful and appreciated the lengths to which he went to cover the story, Brechlin said.

When it came time for the trials of those charged as a result of the investigation, other reporters at the paper took over.

According to a 1996 story by the Bangor (Maine) Daily News, the bank, in a settlement with the federal government, had to pay a $1-million fine and the bank’s president of seven years, Frank G. Bean III, had to resign. Nearly all of the bank’s board members, many of whom individually paid $1,000 fines, also had to resign. Some past employees of the bank also had to pay $1,000 fines. One bank employee, a loan processor, went to jail, Brechlin said.

Brechlin doesn’t regret the role he played in exposing the bank’s misconduct.

“For me, the ethical ramifications of it was that the people that ran that bank made decisions about the health of the bank, about the ethics of the bank, and they were investing their money, but the public didn’t know that information. It wasn’t fair that only the insiders at the bank knew whether or not it was smart to bank there or that they only got the sweetheart deals,” Brechlin said. “ … I think it was a learning experience for everybody … There hasn’t been something like this since.

 “What happened is people at the bank were making financial decisions with that information in mind, but the public was denied that information, so if you were trying to decide, ‘What bank should I put my savings account in, or my checking account in? Where should I get a mortgage from?’ then you might want to know whether the place is being run right or not,” Brechlin said.

Bailey Knecht, an undergraduate student in the Northeastern University School of Journalism, contributed to this report.

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Montana millionaire charged with journalist assault – and headed for Congress?

Gene Policinski First Amendment
Gene Policinski First Amendment

Gene Policinski
Inside the First Amendment

Gene Policinski is chief operating officer of the Newseum Institute and senior vice president of the Institute’s First Amendment Center. He can be reached at gpolicinski@newseum.org.

Follow him on Twitter:
@genefac

Sadly, shamefully, disgustingly, it has come to this: A Montana candidate for Congress was charged recently with assaulting a reporter who was asking him a question about the American Health Care Act.

The Bozeman Daily Chronicle reported that U.S. House candidate Greg Gianforte, a Republican, was charged with misdemeanor assault for what witnesses and the reporter involved said was an unwarranted attack.

Ben Jacobs of The Guardian, who has reported for weeks on the state’s close race for its only House seat, tweeted that “Greg Gianforte just body slammed me and broke my glasses.”

Gianforte’s campaign issued its own statement, claiming Jacobs had entered an office where a TV taping was being set up, “aggressively shoved a recorder in Greg’s face, and began asking badgering questions.” The statement claimed that both men fell to the floor in a struggle over Jacob’s cellphone, and that “this aggressive behavior from a liberal journalist created this scene.”

Too bad for that set of “alternative facts” that several witnesses — including a Fox News television crew — were on hand to dispute them.

A Fox News reporter wrote that “Gianforte grabbed Jacobs by the neck with both hands and slammed him into the ground behind him … I watched in disbelief as Gianforte then began punching the man, as he moved on top of the reporter and began yelling something to the effect of ‘I’m sick and tired of this!’”

Three of Montana’s major newspapers, The Billings Gazette, The Missoulian and The Helena Independent Record, quickly got “sick and tired” of Gianforte: By the morning after the incident, on the day of the state’s special congressional election, all three rescinded their endorsements of the GOP candidate.

We all should be “sick and tired” of attacks on journalists in recent weeks, from this Montana mess to a “manhandling” of a reporter by security guards after an FCC hearing, to the arrest of a public radio reporter in the West Virginia statehouse.

The incidents have much in common: The journalists were asking questions of public officials or candidates for office, outside the staged, controlled environments of news conferences. In each case, the journalists were labeled aggressors by those they were attempting to question.

Many defenders of a free press see all three incidents flowing from the stridently anti-press tone set by President Trump, both in office and on the campaign trail. He has called journalists “enemies of the people,” and on occasion verbally abused specific reporters at rallies and news conferences. The Gianforte account took pains to label Jacobs as a “liberal journalist,” continuing the candidate’s anti-press stance through a campaign that has drawn comparisons to Trump’s. In an effort to give Gianforte a boost in Montana’s close congressional race, Trump recorded a robocall in which he calls Gianforte “my good friend.”

For those who are more inclined to view politics as an opportunity for mud-slinging and chest-beating, rather than a spirited exchange of ideas, the Montana attack no doubt will produce appreciative chuckles and nods of endorsement.

Do not be fooled. It’s democracy that got “body slammed” in the Montana incident. It’s respect for the rule of law that was dealt a blow. It’s the First Amendment that was insulted by Gianforte’s attempt to justify what he did: attacking a reporter for asking a reasonable question, on a matter of great public interest, to a political candidate on the eve of an important election.

This recent spate of attacks is not the first time journalists have been hassled by thugs and bully-boys, or by security forces. Multiple attacks and beatings occurred as reporters and television correspondents covered the civil rights movement in the 1950s and ’60s. Reporters covering the “Occupy” movement in recent years were hustled aside or held by police looking to prevent news coverage of protesters being forcibly removed from parks in New York City and elsewhere.

At national political conventions, journalist arrests have become so common that national press organizations regularly set up phone banks and offices to help individual reporters who have been taken into custody without cause.

Dangers to a free press have deep roots in this country. Just seven years after the 1791 ratification of the Bill of Rights, Congress passed the Sedition Act, allowing for the arrest and jailing of journalists for publishing political criticism. About 20 editors were thrown into jail.

In the Newseum in Washington, D.C., where I work, there is the starkly tragic exhibit of a lone Datsun sedan — notable because the floorboards at the driver’s seat are peeled up, the result of an explosion that fatally injured Phoenix newspaper reporter Don Bolles in 1976. A remotely detonated bomb had been planted by mobsters seeking to stop Bolles from reporting on organized crime in Arizona. The attack had the opposite effect, as reporters nationwide flocked to Phoenix to complete Bolles’ work, proclaiming that “you can kill a journalist but not journalism.”

The fear is now real that — as we saw after fake reports of a child sex ring in a Washington, D.C., restaurant prompted an armed man to appear on the premises — some disturbed person will decide to counter reporters with more than a “body slam.”

Let’s say again, for the sake of the nonpartisan, nonpolitical 45 words of the First Amendment, that this pattern of verbal abuse and physical attacks on journalists is an attack on all Americans, and that that these attacks must stop.

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Questioning why the Times is chucking tradition for change

Jim Stasiowski, writing coach
Jim Stasiowski, writing coach

Jim Stasiowski
Writing

Writing coach Jim Stasiowski welcomes your questions or comments.

Call him at
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On the same morning in mid-May that I read The New York Times’ gripping, deeply researched advance on the Bill Cosby trial, I witnessed a display of human nature that made me question whether the Times’ recent format changes make sense.

The trial story appeared atop the cover of the Arts section, not on Page A1, despite the widespread celebrity of Cosby and the societal significance of the charges against him — that he drugged and then had sex with an unwilling woman, a pattern he is rumored to have repeated several times.

At the bottom of Page A1 was a small block tease – a non-photo tease buried among 11, some with photos – for the trial story, guiding readers to Page C1. And on Page A2 was a large tease written by the co-author of the Arts section Cosby story. The tease explained the co-author’s continuing work on Cosby’s legal travails.

The New York Times has changed its Pages A2 and A3. Formerly on weekdays, A2 had an index and corrections, while A3 had news stories. Now A2 is dominated by a feature labeled, in two verbose decks, “Inside The Times (…) The Story Behind The Story.” In each such feature, a reporter metaphorically puts his or her human face (minus photo) on the story we readers are being urged to read “Inside The Times.”

The rest of A2 and all of A3 now have a variety of snippets, trivia and other short items that no doubt a focus group concluded would attract otherwise unlikely readers.

I resent all the teasing and previewing. The Arts page Cosby story was extremely well done, part narrative, part analysis, and it didn’t require all the nanny-like nudges, most specifically, the “Inside The Times …” overkill.

Why not put the Cosby story on Page A1? OK, it was a huge Trump-tastic news day, so Cosby got crowded off A1, but why not give it a stronger tease on Page A1 and run it on Page A3, implying that it is significant news, not meant merely for those who follow Arts?

I’m sure it’s because we – not just The New York Times – are scrambling. The tidbitting of Pages A2 and A3 apparently is designed to lure in the young, short-attention-span folks held captive by the snippet life.

Entranced by electronic marvels, kids ignore anything ploddingly traditional, right?

Yet shortly after I read the Cosby story, I took my morning walk, which means twice passing the same school-bus stop. On that morning, across the street from the bus stop, a large, noisy yellow Caterpillar excavator was clawing through mounds of dirt, prepping the land for development.

On my first pass, a half-dozen elementary-school youngsters were texting or electronically surfing while another six were watching the construction activity. When I made my second pass minutes later, all of them were staring at the Excavatorsaurus Rex.

Sure, texting and surfing are addictive; but that’s because they blend action, change and conflict, elements that all people, young and old, enjoy, and elements of not only every construction project ever built, but also every good story ever written.

I admire The New York Times’ boldness to blow up the traditional Pages A2 and A3 and try something new. But I disagree with the paper’s apparent assumptions, first that young people cannot be trusted to recognize good storytelling, and second that tantalizing tidbits will so dazzle young people that they will be fooled into embracing a newspaper they otherwise would ignore.

And I question requiring reporters to write what amount to “How I Got The Story” tales on A2. (A couple of weeks after the Cosby stories ran, that A2 feature, by a sportswriter covering the NBA, included this insightful sequence: “Cleveland and Miami are both fine cities with friendly, welcoming people. But they are very different cities.”)

Surely the shrinking rosters of reporters nationwide should mean not assigning superfluity.

If kids set aside electronic fluff for watching the real world, there is hope for those of us who devote our lives to making that world come alive, not in snippets, but in sentences and paragraphs. My hope is that after school that day, the kids resumed watching the excavator and that night, they talked to their parents about what they saw and asked about machinery and construction and commerce and growth.

One more thing: I used to know exactly where The New York Times’ corrections were, on Page A2 (except Sundays); now I hunt for them. I used to praise the Times for putting the corrections in such a prominent spot, as if the paper were saying, “We are proud to show how diligent we are in correcting our mistakes.”

Who knows? Such dependable, trustworthy behavior someday might inspire even those with short attention spans to own up to their mistakes.

THE FINAL WORD: The noun “individual” almost always is stilted language meaning “person,” as in “Authorities say they hope to question an individual seen at the accident site.”

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