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Tell them why – and sell more

John Foust
John Foust has conducted training programs for thousands of newspaper advertising professionals. Many ad departments are using his training videos to save time and get quick results from in-house training. E-mail for information: john@johnfoust.com

Like some other kids, I learned how to drive before taking the drivers’ education class in high school. My father took me to the school’s football stadium on weekends when the expansive parking lot was empty. The car was an old station wagon with a manual shift on the steering column. “Once you learn how to drive a manual shift, an automatic transmission will be a piece of cake,” he said. 

Dad was a great teacher. After he methodically explained the gas pedal, the brake, the clutch, and other essentials, he assured me that it was okay to make mistakes, because I couldn’t damage anything around us. Shifting gears was the number one topic. He carefully demonstrated the correct way to move from neutral to first, then let me try it. “Let the clutch out slowly,” he said, “because the car will lurch and stall if you do it too quickly. Do it slowly and the car will ease into gear.” At first, I struggled so much with that clutch that the poor station wagon jumped around like a bucking bronco. But after a while, I developed a feel for it – and the car actually behaved. 

One thing that made Dad such an effective communicator was that he told me why certain things should be done. He was a mechanical engineer who dealt with whys all the time. When the car bucked, I knew why, because he had told me why. When I shifted smoothly, I knew why, because he had explained it. And when I eventually drove on the road, I had more confidence than I would have had without his patient instruction. 

One of the most important techniques in communication – especially in persuasive communication – is to tell people “why.” Steven, an ad manager who has observed countless sales presentations, told me, “Salespeople have a tendency to do a lot of telling, but not much explaining. It’s important to realize that we all have a need to know why we are being told something or asked to do something. Even children need to know why. They are champions of ‘why’ questions.” 

Steven is right. Give prospects reasons why. It helps to use a simple bridge like “because” or “the reason I say that is” or “this will provide you with.” For example: 

1) “Let’s take a look at our publication’s readership figures. This will show you how many prospective print and online customers you can reach with us.” 

2) “Here’s a comparison between a couple of ads in the last campaign you ran and a couple from the new campaign we’ve been discussing. We’re taking a look at these together because this will help us see how the new ads build on the brand image you’ve established.” 

3) “Let’s set an appointment to talk next Tuesday, after the first ad runs. This will give us a chance to make any needed tweaks to the offer.” 

Without a doubt, telling prospects why is a good way to keep your sales presentations in gear.

(c) Copyright 2022 by John Foust. All rights reserved.

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Applications for Joan Shorenstein fellowships for Spring 2023 open through Sept. 7

The Joan Shorenstein Fellowship Program is designed to bring journalists, scholars, politicians and policymakers to the Shorenstein Center for a semester to work on a project with a tangible output, and engage with students, faculty, other fellows, and the broader Harvard Kennedy School community. Applications for the Spring 2023 semester are now open through September 7.

Fellows are expected to be fully-participating members of the Shorenstein Center community while in residence, attending and participating in Center events, social gatherings, and other activities.

Alumni fellows join the Shorenstein Center’s Alumni Fellows Network, to stay connected with the Center and the large and growing group of former fellows all around the world.

Mid-to-late career professionals from a variety of related fields are welcome to apply. Past fellows include journalists from local, national and international TV, radio, print, and digital media; media and civic technology innovators; nonfiction authors; political advisors and policymakers; leading academic scholars in fields such as media research and political science; and policy analysts.

The Shorenstein Center is committed to diversity, and actively encourages applications from all demographic backgrounds, and across the political spectrum.

Joan Shorenstein Fellowship and Application

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Family, friends mourning death of ‘Newtown Bee’ Publisher R. Scudder Smith

The Smith family announces with sadness the passing of R. Scudder Smith on August 14, 2022. He was 87 years old.

Born on April 12, 1935, Robert Scudder Smith was the elder son of Paul Scudder Smith and Mary Starr Conger Smith, and older brother to Mary Starr Adams and Ted Smith.

He attended his father’s alma mater, Amherst College, briefly, in 1953, but in 1954, he enlisted for three years with the United States Marine Corps, and trained as a navigator at Cherry Point, N.C. On a night out with a friend he met Helen Willis. They were married in 1956, and settled the following year in upstate New York, where he began attending Union College in Schenectady, N.Y.

Scudder’s family has owned Bee Publishing Company Inc and published The Newtown Bee for 141 of its 145 years.

Scudder worked at the paper beginning in 1961; he succeeded his father Paul as editor in 1972.

On June 28, 2022 — the 145th anniversary of the first issue of The Newtown Bee’s publication — local luminaries, including Newtown’s First Selectman, Newtown’s delegation to the Connecticut Legislature, both of Connecticut’s US Senators, and the Fifth District US Congresswoman honored The Newtown Bee for its longevity, and celebrated Scudder and his family’s love for and dedication to the community.

Scudder’s passion for antiques manifested in The Newtown Bee sister paper, Antiques and The Arts Weekly, which he founded in June 1963 and began as four pages of antiques coverage in the local newspaper. Then, as now, the paper each week was finished and printed by midday Thursday, with the following day’s date. As written by Laura Beach for A&A — as the staff and many readers refer to it — in March 2006, “After finishing his editorial chores on Thursday, Scudder spent Fridays pounding on doors, talking to dealers and auctioneers and selling ads for the next antiques section.”

Scudder is survived by Helen, his wife of 66 years; son, David Smith, and daughter and son-in-law, Sherri Smith Baggett and Scott Baggett; grandsons Benjamin and Gregory Smith and their spouses, and Scudder and Judd Baggett and their spouses; and six great-grandchildren, as well as generations of friends and colleagues both local and around the world.

In lieu of flowers, please consider making a donation in his honor to one of the following organizations: Newtown Scholarship Association (PO Box 302, Newtown CT 06470 or NewtownScholarship.org); Town of Newtown Animal Control (21 Old Farm Road, Newtown CT 06470), or FAITH Food Pantry (PO Box 53, Newtown CT 06470 or newtownfoodpantry.org).

By Madelia Ring & John Voket

Read the full obituary and link to the funeral service

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This Week’s Webinars – Getting Started with Digital Sales Aug. 18 and Navigating Sports Chaos Aug. 19

A NENPA member code is required to register for the NENPA U Online Media Campus webinars at no cost. Members that are interested in taking advantage of this benefit should email t.cleary@nenpa.com to receive the access code. Non-members may attend the webinars for $35 per person.

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Providence Journal announces key managing editor positions

The Providence Journal has announced two major appointments.

Whitman Littlefield was named the new managing editor of digital and Eryn Dion was named the new managing editor of content. David Ng, executive editor of The Providence Journal, announced the appointments to the staff on Thursday.

“Whitman and Eryn are two of the most talented journalists that I know, but more importantly, they’re fun to work and have a vision for the future of journalism,” Ng said.

Read the full article on The Providence Journal website

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API Launches Election Coverage & Community Listening Fund Grant Program

The American Press Institute is launching a small grants initiative to help newsrooms improve and deepen their relationships with their communities in this year’s elections.

The grants will be awarded as part of API’s Election Coverage & Community Listening Fund, a program aimed at empowering news organizations to implement community listening in their elections coverage between now and November 2022. We hope these efforts yield important lessons for 2023 and 2024 that can be shared through journalism networks and conversations facilitated by API.

News organizations that have ideas for ways to forge stronger community relationships through deep listening and engaged reporting may apply for these grants of $1,500 to $5,000 per newsroom through August 17, 2022.

As part of the program, API will also award up to 20 free one-year licenses for Source Matters, an API tool that tracks and improves the diversity of your news stories. Some recipients may receive both a grant and a free Source Matters license.

“Participating in our representative democracy requires access to accurate information about our communities, their problems and possible solutions,” said Michael Bolden, CEO and executive director of API. “With important elections on the horizon, we see an immediate need to help local news organizations think about coverage in ways that help their communities make informed election decisions through improved coverage for 2022 and beyond.”

Applications are due by 5 pm ET on Wednesday, August 17, 2022. Funding decisions will be made by Wednesday, August 24, 2022, with applicants notified shortly thereafter.

All U.S. local news organizations, either nonprofit or commercial, are eligible to apply. We welcome applications from news organizations of any size, including daily or weekly newspapers, public or commercial radio, TV, digital-only news sites, or other non-traditional news and information formats, and those serving urban, suburban or rural populations, including specific ethnic, racial or religious demographics. We will also consider applications from individuals leading or launching their own news organization or who are working with an established news organization. API will designate at least 30 percent of grant funds for ethnic media organizations.

Learn more about the program on the API website

Apply for a grant on the API website

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2022 New England Newspaper Awards

It’s time to submit your entries! Deadline extended until August 11!

The New England Newspaper Awards recognize the region’s best work each year. These top awards, presented at the fall conference, include:

New England Newspapers of the Year
Publick Occurrences Awards
Allan B. Rogers Editorial Award
New England First Amendment Award
Bob Wallack Community Journalism Award
AP Sevellon Brown Journalist of the Year

Below, you will find everything you need to submit your work. This year, this is no need to mail anything – everything will be submitted through the links! There are links to download the entry form and guidelines, links to upload all of your entries, and helpful information about how to name each uploaded file. We will send you an invoice when the submission period ends.

If you have any questions, please contact Linda Conway at l.conway@nenpa.com.

Important things to remember:
– all entries should fall within the contest year dates: June 1, 2021, to May 31, 2022.
deadline: all entries should be uploaded by Thursday, August 11, 2022
– please follow the instructions below on naming your files with the distinguishing info requested.

STEP 1

Download the entry form. Fill it out electronically and save it including your newspaper name and “EntryForm” example: EntryForm_LocalPost.pdf.

STEP 2

Upload your completed entry form. The form information will be used to create a bill. You will receive a separate email about this with options to pay.

STEP 3

UPLOAD ALL SUPPORTING FILES FOR YOUR ENTRIES

Newspaper of the Year Submissions

File naming: Please include your newspaper name, NOY and date. example: LocalPost_NOY_09152021.pdf

Additional Newspaper Excellence Submissions

File naming: Include your newspaper name, PO, and headline. example: LocalPost_PO_AwardsAnnounced.pdf

File naming: example: LocalPost_Cover_PO_AwardsAnnounced.pdf

File naming: Include your newspaper name, FA, and head-line. example: LocalPost_FA_OpenMeeting.pdf

File naming: example: LocalPost_Cover_FA_OpenMeeting.pdf

File naming: Include your newspaper name, ABR and head-line. example: LocalPost_ABR_BrokenSystem.pdf

File naming: example: LocalPost_Cover_ABR_BrokenSystem.pdf

File naming: Include nominee name and JOY example: Smith_JOY.pdf

File naming: example: Smith_JOY_Support.pdf

File naming: Include nominee name and BW example: Smith_BW.pdf

File naming: Include nominee name and BW example: Smith_BW.pdf

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Cartoonist Roger Straub’s creations offer something bright in a gloomy time

Roger Straub was lying in bed at his cottage in Moodus, his mind racing at 3 a.m., fretting over what to name the character of his soon-to-be-released cartoon creation. He had gotten as far as the first name: “Mac.” But what about a last name?

And then it hit him; the Native American name for his area was Machimoodus, meaning “place of bad noises” in reference to the mysterious little earthquakes and accompanying booms that periodically occur there.

“By jove, that’s it! Mac O’Moodus!”

Straub, now 66, delights in recalling that magic moment in 1999, which came about after Leland Morgan, owner of The Trumpeter newspaper of East Haddam, said: “Rog, I have an idea. Can you create a comic for my paper?”

Straub already had a character. He had come up with the concept of a peaceful, childlike, red-bearded innocent in 1976 while studying for his B.A. at the University of Bridgeport. The unnamed character had sat up in the attic of Straub’s mother’s home for more than 20 years. Then Morgan got things rolling.

Ever since then, O’Moodus and Straub have been entertaining readers of select newspapers in rural Connecticut as well as people who have latched onto Straub’s two self-published books of cartoons. You can also go to his website, redshedstudios.com. The red shed sits next to his “granny’s” (Bertha Delehanty) cottage in Moodus, which was handed down to him.

These days, Straub does most of his cartooning at a large Victorian house in Higganum, where he has a second-floor studio. He shares his home with his wife, Michelle, an interior designer, and their dog, Alex, and cats, Kit Carson and Ziggy Stardust.

After greeting me outside his house, Straub harkens back with obvious affection to his “granny” and his idyllic times visiting her as a child in the cottage on the Moodus Reservoir. She was a naturalist and often took him blueberry and mushroom picking and crabbing. Her love of nature was seamlessly passed on to him.

Straub leads me up to a barn and fence that borders his property. This is Sycamore Farm. Two llamas and several goats walk toward Straub as he approaches the fence. “Whenever I need inspiration for my critters in my cartoon, I come here,” he says. “This farm has llamas, horses, pigs, goats, chickens, everything!”

“Hey, Snickers! Hey, La Luna!” he calls out to the llamas. He feeds them some leaves. “I’m gonna put these guys on Hawaiian shirts,” he says. “I’ll call them ‘Bahama llamas.’ ”

As we sit down at a patio near the farm, Straub pulls out some sheets of paper on which he jotted notes about Mac O’Moodus. This is how Straub describes him: “Innocent, peaceful, funny, inquisitive, creative, even-tempered, wordsmith, childlike, musical, succinct (he does not speak), animal friendly, determined, presents the world as he would like it to be, naturalist, messenger, charming, American icon, loner, adorable.” Below that, Straub wrote: “A cartoon with messages; example of the golden rule; non-threatening with powerful messages. Mac lives in a red shed alone. He doesn’t need much. He speaks for things that don’t have a voice.”

“Mac’s not political,” Straub says. “But he’s strong on the environment, strong on animal rights. I’m very big on pride of country, which I think with COVID is so important. Mac’s patriotic. He loves America.”

“Mac’s a loner, an observer,” Straub adds. When I point out to Straub that he is very much like his creation, he smiles and says: “I am Mac. There’s no doubt. Mac’s warm and fuzzy, like me. All the issues Mac deals with are the issues I care about: the environment, animal kindness and kindness to other humans.”

“Mac is very childlike and I am too. My thought process is childlike. It’s good to be childlike. I think that’s a precious quality.”

“You’ll never find a cartoon of mine that’s in your face,” he notes. “It’s wholesome. It’s the Leave it to Beaver of cartoons.”

Straub brings me into his house and up to his studio. “This is where I do Mac. I use Prismacolor pencils. I like them because they’re blendable; you can create shadows.”

His cartoons, single panels without thought balloons, always start with words — a phrase that occurs to Straub or that he overhears. Those words will go at the bottom of the cartoon. Straub loves double entendres. “Horse fly” shows Mac riding a winged horse. “Lemon drops” depicts Mac with an umbrella shielding him from a rainfall of lemons. In “Cat fishing,” Mac is fishing in a boat alongside a black cat. In “Lame duck,” he assists a duck on crutches.

“A friend of mine told me, ‘You’re outstanding in your field,’ ” Straub says. “So I did a cartoon of Mac standing in a corn field with a scarecrow.”

He sits down at his drawing board, which has pencils, pens and markers at the ready. “I get an idea, then I sketch it on a pad. I ink it. I color it with a Prismacolor pencil. And then I hand it off to my friend and producer, Jean Paul Maheu, who puts it on my website.”

Straub spent 20 years teaching art in elementary schools in New London, Cheshire and Wallingford. He says it was “a relief” to get out of the classroom and instead spend his time in the studio. He still has a day job, working for a property developer. Straub needs that job because, he freely admits, “I’ve never made any money from cartooning. It’s a hobby.”

Twenty years ago Mac O’Moodus regularly appeared in 30 small Connecticut newspapers. Most of them are gone now. Straub’s cartoons are limited to readers of the East Haddam News and the Haddam-Killingworth News.

But he’s using his website in a bid to cheer people up. “COVID was really bugging me, so I was thinking: ‘How can I help?’ I decided to put my alphabet book on the red shed site for free, for the children. (“H is for heroes who work in our town,” etc.)

In a time of lockdown and cutbacks, Straub is wondering whether he’ll ever make any money from Mac O’Moodus. “If I could turn a dime out of making this comic and have it be my livelihood, I’d be over the moon.”

This article was written by Randall Beach and appears in the December 2020 issue of Connecticut Magazine.

Cartoonist Roger Straub, under the watchful eye of a Mac O’Moodus doll, in the studio at his Higganum home with a mockup of his latest book featuring the character. Photo credit Arnold Gold

For more information on running the Mac O’Moodus cartoons, visit Red Shed Studios.

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Applications for 12th Annual New England First Amendment Institute Now Available

The New England First Amendment Coalition will host its 12th annual New England First Amendment Institute from Oct. 23 to Oct. 25 at Northeastern University.

The previous two institutes were held online due to COVID-19 concerns.

“We’re excited to be back at Northeastern this year welcoming a new class of journalism fellows,” said Justin Silverman, executive director of NEFAC. “We have an excellent curriculum planned for those selected to attend the program.”

The deadline to apply is August 12, 2022, and application materials can be obtained here.

NEFAC provides the tuition-free investigative journalism institute each year for 25 working journalists within the region. It includes workshops and presentations featuring some of the country’s most elite investigative reporters, editors, and media attorneys. About 300 journalists from about 100 local news organizations have benefited from the New England First Amendment Institute since it began in 2011.

Read more at the NEFAC website

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Record-Journal selected for LMA Advanced Fundraising Lab

Local Media Association has named the nine news organizations that will participate in its Advanced Fundraising Lab, launching in September. These nine newsrooms have distinguished themselves by their combination of prior success at fundraising and their track record of journalism on behalf of the communities they serve.

  • The Atlanta Journal-Constitution
  • Miami Herald
  • Record-Journal (Meriden, Connecticut)
  • The Post and Courier (Charleston, South Carolina)
  • The Seattle Times
  • Tampa Bay Times
  • The Texas Tribune
  • The Bureau of Investigative Journalism (U.K.)
  • The Times-Picayune | The Advocate (Louisiana)

The advanced lab will build on the lessons and success of 36 newsrooms that completed the LMA Lab for Journalism Funding, raising collectively more than $10 million since September 2020 to fund local journalism projects. LMA published a free 42-page industry report, Pathways to Philanthropy, to capture and share these learnings. The Lab for Journalism Funding and the new Advanced Fundraising Lab is free to participating publishers thanks to continued support from Google News Initiative.

Read more on the Local Media Association website

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