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Dominant photo is basic in sports front design

Ed Henninger design
Ed Henninger design

Ed Henninger
Design

ED HENNINGER is an independent newspaper consultant and the director of Henninger Consulting.

Website: www.henningerconsulting.com
Phone: (803) 327-3322

WANT A FREE evaluation of your newspaper’s design?
Just contact Ed: edh@henningerconsulting.com | (803) 327-3322

IF THIS COLUMN has been helpful, you might be interested in Ed’s books: “Henninger on Design” and “101 Henninger Helpful Hints.” With the help of Ed’s books, you’ll immediately have a better idea how to design for your readers. Find out more about “Henninger on Design” and “101 Henninger Helpful Hints” by visiting Ed’s website: www.henningerconsulting.com

Many community newspapers put strong effort into covering high school sports. They understand that their high school teams are a key ingredient in the glue that holds the community together.

When designing their sports front page, however, many sports editors try to give all sports fair play. By doing so, they often create pages much like example #1 illustration.

There’s only so much space on their front page (and sometimes less, to allow for ads), and they cram in too many photos. As a result, none of the photos is large enough to be the lead visual.

When too many photos of like size are placed on the page, it’s difficult for readers to know which of the packages is more important. There’s no focus — each package calls for attention with the same “visual volume” as those around it.

What’s the lead? What’s the second most important report? What’s the third, and so on? Readers get no sense of hierarchy on a page with four or five like-sized photos.

Example #2 works much better. It immediately gives readers a sense that the larger photo is part of a lead package. The other photos are no more than half the size of the lead photo, helping readers to understand that those packages are not as important as the lead report.

I appreciate that sometimes it’s difficult for us to decide which is the lead item. What if the boys basketball team just lost in overtime to their cross-county rivals, but the girls volleyball team won a squeaker over the same cross-county school? Hmmm … which gets the lead? Well, there you might have to rely on the better photo. If the picture shows the winning spike by the girls volleyball team, I’d want to make that the lead.

Another point: You can’t make everyone happy.

I recall a sports editor years ago asking me: “I report on three high schools. Can you design me a front page that gives them all equal play?”

I thought that over for a moment and responded: “Yes, I can … but I won’t.”

“Why not?” the editor asked. “If I don’t try to give them equal coverage, I get calls from upset parents.”

I answered: “You’re the sports editor. You’re paid to handle those calls. What if one of the teams you cover has a record of 11-1 and the other two are 3-9 and 2-10? Do you really think it’s good journalism to give them all the same space?”

When I shared that story with the publisher, he just shook his head, grinned and said: “Yeah. That’s Bob.”

Don’t be Bob. Make choices on your sports front. And let the photos guide you to making choices that will help your readers.

Sports page example #1
Too many photos, most the same size, create a cluttered, confusing page.
Sports page example #2
Photo use is much better in this layout.
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From the Slimp mailbag …

Kevin Slimp technology
Kevin Slimp technology

Kevin Slimp

Kevin Slimp is director of the Institute of Newspaper Technology.

Email questions to him at
kevin@kevinslimp.com

Convention season has been a lot of fun for me this year. I just returned from visits with associations across the Midwest United States and Western Canada, and there is a definite intensity brewing among community newspaper publishers. There were more publishers wanting a private moment to discuss their thoughts, and longer lines of folks waiting to talk to me after sessions.

As I entered the ballroom at the Illinois Press Association convention, I couldn’t help but smile. I was scheduled to speak on the topic, “What’s Going on at Newspapers Today,” and I had a feeling there would be a need for more chairs and it was inspiring to see every seat filled and more chairs brought into the room as I spoke. Still, a dozen or so folks stood in the back to hear what I had to say about the mood of the industry.

In the vendors area at that convention, I was greeted by Virginia publisher Matt Paxton and Wisconsin publisher Andrew Johnson, both representing the National Newspaper Association. We probably could have talked for hours, but time was limited because I had to lead a session. We continued the discussion, centered around the crucial need for more honest conversations about the state of the industry, during breaks the next two days.

As I see at so many places I visit, both Matt and Andrew are at healthy newspapers and weren’t surprised to hear that most of the papers I visit are reporting steady or improved health the past three years. I have a feeling we will meet together soon to continue that discussion.

Stan Schwartz, editor of Publishers’ Auxiliary, was also in the audience in Illinois. At one point, while helping me distribute some materials, he said: “You know what people like? They love your Question and Answer columns.”

Stan knows what he’s doing. If he says readers like Question and Answer columns, I believe him.

Here are some of the questions I’ve received from readers and friends recently:

From Janet in Tennessee

I know you’re on the road, but we really need your help. Our production Mac has a white screen and we’ve tried restarting it. Nothing seems to work. Please help.

In the old days, Janet, it seemed like restarting a computer fixed most problems. It still fixes some, but in this case it takes a little more work. When restarting a computer doesn’t work, unplugging the computer for several minutes, then restarting, sometimes does the trick.

Both Macs and PCs sometimes need to be unplugged. These are the steps I sent to Janet that got her computer up and running: Turn off the computer for several minutes, then restart while pressing the Option+R keys immediately after hearing the Apple chimes. When the computer starts up, you should see the OS X utilities menu. Select “Disk Utility” and click “Continue.” Select your start-up disk and click “Repair Disk.” Then reboot your Mac.

From Mark in Ohio

We have “lost” an important folder of InDesign pages on our Mac server. This is the only thing missing. We do use the Amazon backup service every night. We were using the folder four nights ago, but now it has vanished. Is there any “back door” way to find this file? Or anything else you can think of?

I’m glad you have the daily backup, Mark. As long as the folder is there, you’ve lost a few hours at the most.

My conversation with Mark highlights the importance of running Time Machine, which creates an hourly backup of your Macs, and the importance of having an off-site backup. There are many good cloud backup services out there, and most cost about $5 a month per computer or even less if you subscribe for an entire network of computers.

From Ken in Manitoba

What’s the best way to back up our email? If we ever lose it, we’d be in a bind.

If you take a look at Mark’s question, you’ll find your answer. It’s important to use Time Machine or some other local backup, in addition to an off-site backup. Many cloud (off-site) systems offer both off-site and local backups (to a USB drive or other device). Carbonite (carbonite.com) is one of many such systems.

From Buddy in Georgia

I’d like to pick your brain for a moment. Many of our printing customers are having a similar problem: black text printing on all four plates. Do you have any suggestions to help with this issue?

Yes, Buddy, I do. Most folks see a file like this and think the problem was caused by using “registration” instead of black in the text. That’s usually not the case. This happens primarily when the text has been converted to RGB. This can happen in two places, but usually happens when converting the file to PDF. Check the settings in either InDesign or Acrobat and make sure nothing is set to convert to RGB. The safest setting is “Leave Color Unchanged.”

When black text prints on all four plates, causing registration problems, the culprit is usually incorrect settings in Acrobat or InDesign.
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How to make a good second impression

John Foust Advertising
John Foust Advertising

John Foust

john-foust-ad-libs

John Foust has conducted training programs for thousands of newspaper advertising professionals. Many ad departments are using his training videos to save time and get quick results from in-house training.

Email for information: john@johnfoust.com

Don, who manages a newspaper sales department, is always looking for ways to strengthen customer relations.

“We understand the importance of first impressions,” he told me. “Know something about the prospect’s business before calling. Show up for the first appointment with a big smile and a firm handshake. Ask questions to learn about their overall situation and their marketing goals.

“All of that is important,” he said. “But what about second impressions? I’ve been hearing a lot about that lately. We all know from personal experience what it’s like for a salesperson to treat us like royalty during an initial meeting, then act like they barely know us after that – especially if we don’t buy something right away. That’s why the things we do in that second contact can make a big difference in the salesperson-customer relationship.”

Here are some ideas:

  1. Express appreciation immediately. “A good old-fashioned ‘thank you’ is a must,” Don said. “Simply thank them for taking the time to meet with you. An email is faster, but a handwritten note is more memorable.”
  2. Email a summary of your meeting. “This can save a lot of headaches down the road,” Don said. “The more you discussed in your first conversation, the greater the need for a summary. For example, here’s a short version of what you could say: ‘Thank you for taking some time to meet with me to discuss marketing ideas. We discussed: Point 1, Point 2 and Point 3. The next step is for me to provide you with a detailed proposal by the end of next week. Looking forward to our next conversation.’ ”
  3. Send business-related information. “Obviously, this can be related to your conversation,” he said. “For example, if you talked about zoned coverage or click rates, send more details. If you can do a little online research, find some relevant ads that worked well for a similar business in another market. Or maybe you can find a couple of famous ads for national brands, which your prospect could find interesting. Make sure they illustrate advertising principles that can help his or her business.”
  4. Send non-business information. If you learned that he is a golfer, email a link to an interesting video about golf. If she mentioned that her family is planning a vacation to Europe, send a related link or clipping from your paper’s archives.
  5. Ask for more details about the things you discussed. For example, if you’re working on a marketing proposal, do you need more information about prospective target audiences? Would you like to have more statistics on sales of their seasonal products? Would it help to have a list of loyal customers who could be willing to provide testimonial quotes?

“It’s smart to ask questions at this point,” Don said. “It helps you learn more and it keeps the client engaged in the development process.

Don’s ideas make a lot of sense. A salesperson has only one chance to make a second impression.

 

(c) Copyright 2017 by John Foust. All rights reserved.

 

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Maine editor recalls taking on local bank, and the toll it took

Photo courtesy of Earl Brechlin

By Kehinde Sokan, Bulletin Staff

‘The board of directors of the bank are business owners throughout the community. So, not only did the bank pull its advertising because of our stories, but so did other businesses in solidarity, including our largest advertiser.’

— Earl Brechlin, Former editor
Bar Harbor (Maine) News, Current editor
Mt. Desert Islander, Bar Harbor

Photo courtesy of Earl Brechlin

It was midafternoon on a spring day in 1994 when Earl Brechlin, then editor of the Bar Harbor (Maine) Times, was told by the newspaper’s receptionist that there was a call on the telephone for him from a man who wouldn’t leave his name.

Brechlin took the call, recognizing the voice as that of an employee of the First National Bank of Bar Harbor. The man asked to meet Brechlin that evening, requesting to come through a back door so as not to be seen by anyone on the street. Brechlin agreed. He left the lights off in the front office, and when the man arrived, led him to his secluded office in the back of the building.

During that meeting, Brechlin was informed that the bank was being reviewed by the federal Office of the Comptroller of the Currency, the Federal Home Loan Mortgage Corporation, and Federal National Mortgage Association.

The bank’s troubles began in 1992, “but matters such as these are kept quiet,” Brechlin said.

Brechlin, who left the Times in in 2001 to be editor of then-new Mount Desert Island of Bar Harbor, jumped on the story immediately.

Through sources, he was able to obtain documents from federal investigators.

The documents “detailed all the deficiencies they had found with the bank,” Brechlin said. “They had people on the board of directors who had loans without paperwork, and credit cards that weren’t being paid off. Most of the problems entailed people who worked at the bank or officers of the bank who were refinancing their mortgages and were obtaining federal loans through falsified documents.”

“There were concerns that appraisals were being artificially inflated to justify larger mortgages,” Brechlin said.

Before running his first story on the scandal, Brechlin ran it by the Bar Harbor Times’ lawyers to make sure that the paper would not be in any legal jeopardy, and then by the newspaper’s publisher.

Bulletin photo courtesy by Kareya Saleh
Bulletin photo courtesy by Kareya Saleh

‘Over the years in a small town I’ve had my storage shed torched, tires slashed, windows smashed and cameras stolen.’

— Earl Brechlin

“He knew there would be a fallout from covering the story, but told us to run it anyway,” Brechlin said.

After the story was published that detailed the alleged violations and the allegations against the bank, Brechlin was paid a visit at his office by an FBI agent. He was asked where Brechlin had obtained his information, but Brechlin refused to tell the agent. Brechlin had promised his sources that he would not reveal their identities and, fortunately, he didn’t have to.

“I guess they had plenty else to do, because they never bothered us again,” Brechlin said.

A couple of months into covering the story, with concerns about a conflict of interest and for his personal safety, Brechlin closed his multiple accounts with the bank.

“My checking account, my savings account, my mortgage were in that bank. So, while I’m writing about this, they can see my whole life,” Brechlin said. “So, I actually moved my accounts. I took about a 3 percent hit to my mortgage because I redid it at another bank with a higher rate just so I didn’t have any involvement with them.”

Brechlin covered the story for a year and a half, and he was greeted with anger from the bank’s executives.

“There was plenty of intimidation that there would be hell to pay (for) this stuff,” Brechlin said.

Members of the bank’s board of directors called the newspaper and complained about the stories.

“I wasn’t privy to the conversations, but I’m sure they had something to do with financial impact if we continued to pursue the story,” he said.

The Bar Harbor Times did take a substantial financial hit bringing the story to readers.

“The board of directors of the bank are business owners throughout the community. So, not only did the bank pull its advertising because of our stories, but so did other businesses in solidarity, including our largest advertiser (Shop & Save, which had a full-page ad in the Times),” Brechlin said.

Competing banks pulled their advertising too.

“It wasn’t to punish us, but they didn’t want to look like they were kicking a guy while he’s down,” Brechlin said.

The Bar Harbor Times saw a 10 to 15 percent revenue decrease for a couple of months, but fortunately the paper could afford it at the time, Brechlin said.

Brechlin was also treated with hostility by some members of the community.

“I didn’t receive any direct threats. Certainly I could walk in the grocery store and feel the darts in my back sometimes,” Brechlin said.

“There were different points in the story where I looked both ways before crossing the street,” Brechlin said with a chuckle.

Brechlin said being targeted for his work wasn’t new to him.

“Over the years in a small town I’ve had my storage shed torched, tires slashed, windows smashed and cameras stolen,” Brechlin said.

Although there were members of the community who were closely associated with those implicated in the investigations who were upset with Brechlin’s reporting of it, there were also people in the community who were grateful and appreciated the lengths to which he went to cover the story, Brechlin said.

When it came time for the trials of those charged as a result of the investigation, other reporters at the paper took over.

According to a 1996 story by the Bangor (Maine) Daily News, the bank, in a settlement with the federal government, had to pay a $1-million fine and the bank’s president of seven years, Frank G. Bean III, had to resign. Nearly all of the bank’s board members, many of whom individually paid $1,000 fines, also had to resign. Some past employees of the bank also had to pay $1,000 fines. One bank employee, a loan processor, went to jail, Brechlin said.

Brechlin doesn’t regret the role he played in exposing the bank’s misconduct.

“For me, the ethical ramifications of it was that the people that ran that bank made decisions about the health of the bank, about the ethics of the bank, and they were investing their money, but the public didn’t know that information. It wasn’t fair that only the insiders at the bank knew whether or not it was smart to bank there or that they only got the sweetheart deals,” Brechlin said. “ … I think it was a learning experience for everybody … There hasn’t been something like this since.

 “What happened is people at the bank were making financial decisions with that information in mind, but the public was denied that information, so if you were trying to decide, ‘What bank should I put my savings account in, or my checking account in? Where should I get a mortgage from?’ then you might want to know whether the place is being run right or not,” Brechlin said.

Bailey Knecht, an undergraduate student in the Northeastern University School of Journalism, contributed to this report.

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Montana millionaire charged with journalist assault – and headed for Congress?

Gene Policinski First Amendment
Gene Policinski First Amendment

Gene Policinski
Inside the First Amendment

Gene Policinski is chief operating officer of the Newseum Institute and senior vice president of the Institute’s First Amendment Center. He can be reached at gpolicinski@newseum.org.

Follow him on Twitter:
@genefac

Sadly, shamefully, disgustingly, it has come to this: A Montana candidate for Congress was charged recently with assaulting a reporter who was asking him a question about the American Health Care Act.

The Bozeman Daily Chronicle reported that U.S. House candidate Greg Gianforte, a Republican, was charged with misdemeanor assault for what witnesses and the reporter involved said was an unwarranted attack.

Ben Jacobs of The Guardian, who has reported for weeks on the state’s close race for its only House seat, tweeted that “Greg Gianforte just body slammed me and broke my glasses.”

Gianforte’s campaign issued its own statement, claiming Jacobs had entered an office where a TV taping was being set up, “aggressively shoved a recorder in Greg’s face, and began asking badgering questions.” The statement claimed that both men fell to the floor in a struggle over Jacob’s cellphone, and that “this aggressive behavior from a liberal journalist created this scene.”

Too bad for that set of “alternative facts” that several witnesses — including a Fox News television crew — were on hand to dispute them.

A Fox News reporter wrote that “Gianforte grabbed Jacobs by the neck with both hands and slammed him into the ground behind him … I watched in disbelief as Gianforte then began punching the man, as he moved on top of the reporter and began yelling something to the effect of ‘I’m sick and tired of this!’”

Three of Montana’s major newspapers, The Billings Gazette, The Missoulian and The Helena Independent Record, quickly got “sick and tired” of Gianforte: By the morning after the incident, on the day of the state’s special congressional election, all three rescinded their endorsements of the GOP candidate.

We all should be “sick and tired” of attacks on journalists in recent weeks, from this Montana mess to a “manhandling” of a reporter by security guards after an FCC hearing, to the arrest of a public radio reporter in the West Virginia statehouse.

The incidents have much in common: The journalists were asking questions of public officials or candidates for office, outside the staged, controlled environments of news conferences. In each case, the journalists were labeled aggressors by those they were attempting to question.

Many defenders of a free press see all three incidents flowing from the stridently anti-press tone set by President Trump, both in office and on the campaign trail. He has called journalists “enemies of the people,” and on occasion verbally abused specific reporters at rallies and news conferences. The Gianforte account took pains to label Jacobs as a “liberal journalist,” continuing the candidate’s anti-press stance through a campaign that has drawn comparisons to Trump’s. In an effort to give Gianforte a boost in Montana’s close congressional race, Trump recorded a robocall in which he calls Gianforte “my good friend.”

For those who are more inclined to view politics as an opportunity for mud-slinging and chest-beating, rather than a spirited exchange of ideas, the Montana attack no doubt will produce appreciative chuckles and nods of endorsement.

Do not be fooled. It’s democracy that got “body slammed” in the Montana incident. It’s respect for the rule of law that was dealt a blow. It’s the First Amendment that was insulted by Gianforte’s attempt to justify what he did: attacking a reporter for asking a reasonable question, on a matter of great public interest, to a political candidate on the eve of an important election.

This recent spate of attacks is not the first time journalists have been hassled by thugs and bully-boys, or by security forces. Multiple attacks and beatings occurred as reporters and television correspondents covered the civil rights movement in the 1950s and ’60s. Reporters covering the “Occupy” movement in recent years were hustled aside or held by police looking to prevent news coverage of protesters being forcibly removed from parks in New York City and elsewhere.

At national political conventions, journalist arrests have become so common that national press organizations regularly set up phone banks and offices to help individual reporters who have been taken into custody without cause.

Dangers to a free press have deep roots in this country. Just seven years after the 1791 ratification of the Bill of Rights, Congress passed the Sedition Act, allowing for the arrest and jailing of journalists for publishing political criticism. About 20 editors were thrown into jail.

In the Newseum in Washington, D.C., where I work, there is the starkly tragic exhibit of a lone Datsun sedan — notable because the floorboards at the driver’s seat are peeled up, the result of an explosion that fatally injured Phoenix newspaper reporter Don Bolles in 1976. A remotely detonated bomb had been planted by mobsters seeking to stop Bolles from reporting on organized crime in Arizona. The attack had the opposite effect, as reporters nationwide flocked to Phoenix to complete Bolles’ work, proclaiming that “you can kill a journalist but not journalism.”

The fear is now real that — as we saw after fake reports of a child sex ring in a Washington, D.C., restaurant prompted an armed man to appear on the premises — some disturbed person will decide to counter reporters with more than a “body slam.”

Let’s say again, for the sake of the nonpartisan, nonpolitical 45 words of the First Amendment, that this pattern of verbal abuse and physical attacks on journalists is an attack on all Americans, and that that these attacks must stop.

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Questioning why the Times is chucking tradition for change

Jim Stasiowski, writing coach
Jim Stasiowski, writing coach

Jim Stasiowski
Writing

Writing coach Jim Stasiowski welcomes your questions or comments.

Call him at
(775) 354-2872
or write to:
2499 Ivory Ann Drive
Sparks, Nev. 89436.

On the same morning in mid-May that I read The New York Times’ gripping, deeply researched advance on the Bill Cosby trial, I witnessed a display of human nature that made me question whether the Times’ recent format changes make sense.

The trial story appeared atop the cover of the Arts section, not on Page A1, despite the widespread celebrity of Cosby and the societal significance of the charges against him — that he drugged and then had sex with an unwilling woman, a pattern he is rumored to have repeated several times.

At the bottom of Page A1 was a small block tease – a non-photo tease buried among 11, some with photos – for the trial story, guiding readers to Page C1. And on Page A2 was a large tease written by the co-author of the Arts section Cosby story. The tease explained the co-author’s continuing work on Cosby’s legal travails.

The New York Times has changed its Pages A2 and A3. Formerly on weekdays, A2 had an index and corrections, while A3 had news stories. Now A2 is dominated by a feature labeled, in two verbose decks, “Inside The Times (…) The Story Behind The Story.” In each such feature, a reporter metaphorically puts his or her human face (minus photo) on the story we readers are being urged to read “Inside The Times.”

The rest of A2 and all of A3 now have a variety of snippets, trivia and other short items that no doubt a focus group concluded would attract otherwise unlikely readers.

I resent all the teasing and previewing. The Arts page Cosby story was extremely well done, part narrative, part analysis, and it didn’t require all the nanny-like nudges, most specifically, the “Inside The Times …” overkill.

Why not put the Cosby story on Page A1? OK, it was a huge Trump-tastic news day, so Cosby got crowded off A1, but why not give it a stronger tease on Page A1 and run it on Page A3, implying that it is significant news, not meant merely for those who follow Arts?

I’m sure it’s because we – not just The New York Times – are scrambling. The tidbitting of Pages A2 and A3 apparently is designed to lure in the young, short-attention-span folks held captive by the snippet life.

Entranced by electronic marvels, kids ignore anything ploddingly traditional, right?

Yet shortly after I read the Cosby story, I took my morning walk, which means twice passing the same school-bus stop. On that morning, across the street from the bus stop, a large, noisy yellow Caterpillar excavator was clawing through mounds of dirt, prepping the land for development.

On my first pass, a half-dozen elementary-school youngsters were texting or electronically surfing while another six were watching the construction activity. When I made my second pass minutes later, all of them were staring at the Excavatorsaurus Rex.

Sure, texting and surfing are addictive; but that’s because they blend action, change and conflict, elements that all people, young and old, enjoy, and elements of not only every construction project ever built, but also every good story ever written.

I admire The New York Times’ boldness to blow up the traditional Pages A2 and A3 and try something new. But I disagree with the paper’s apparent assumptions, first that young people cannot be trusted to recognize good storytelling, and second that tantalizing tidbits will so dazzle young people that they will be fooled into embracing a newspaper they otherwise would ignore.

And I question requiring reporters to write what amount to “How I Got The Story” tales on A2. (A couple of weeks after the Cosby stories ran, that A2 feature, by a sportswriter covering the NBA, included this insightful sequence: “Cleveland and Miami are both fine cities with friendly, welcoming people. But they are very different cities.”)

Surely the shrinking rosters of reporters nationwide should mean not assigning superfluity.

If kids set aside electronic fluff for watching the real world, there is hope for those of us who devote our lives to making that world come alive, not in snippets, but in sentences and paragraphs. My hope is that after school that day, the kids resumed watching the excavator and that night, they talked to their parents about what they saw and asked about machinery and construction and commerce and growth.

One more thing: I used to know exactly where The New York Times’ corrections were, on Page A2 (except Sundays); now I hunt for them. I used to praise the Times for putting the corrections in such a prominent spot, as if the paper were saying, “We are proud to show how diligent we are in correcting our mistakes.”

Who knows? Such dependable, trustworthy behavior someday might inspire even those with short attention spans to own up to their mistakes.

THE FINAL WORD: The noun “individual” almost always is stilted language meaning “person,” as in “Authorities say they hope to question an individual seen at the accident site.”

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Industry News – June 2017

Newspaper-industry-news

Briefs

Awards and Honors

Advertising News

Advice

Industry News

Mobile/Online News

Social Media News

Legal Briefs

Training

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eBulletin Obituaries

Buck Howe

Buck Howe

Buck Howe, 73, of Amherst, N.H., died May 25 from injuries in a car accident.

Howe was a reporter and editor on the New Hampshire seacoast.

He also was a freelance photographer for some Fortune 100 companies and had a photo published in Life magazine.

Later in his career, Howe was employed in marketing and public relations for the former Digital Equipment Corp., based in Maynard, Mass., and for a few other companies.

He leaves his wife, Ann; a son, Philip; a sister-in-law; a nephew; cousins. 

The obituaries were written, at least in part, from published reports by Bulletin correspondent Joshua Leaston, an undergraduate student at Northeastern University.

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Sean Burke, Doris Picardi, Adam Feuerstein, Mark Elliott

Sean Burke
Doris Picardi
Adam Feuerstein
Mark C. Elliot

MASSACHUSETTS

Sean Burke, former president and group publisher of GateHouse Media New England, the largest newspaper chain in New England, with more than 100 newspapers in five states, was hired as president and publisher of the Fort Worth (Texas) Star-Telegram as of June 12. Burke has spent 30 years in the news industry, much of it in sales executive and other leadership roles. He was appointed regional director of advertising and marketing in 1997 for Community Newspaper Company, predecessor of GateHouse. During that time, he served for nine months in 2001 as publisher of multiple weeklies, including the TAB newspapers, of the Metro Division of Community Newspaper Company and as regional advertising director. In 2004, Burke became publisher of the then-Memorial Press Group, based in Plymouth and including 23 non-dailies, among them the flagship Old Colony Memorial. He was appointed regional publisher of GateHouse Media New England in 2006, a position that included being publisher of The Herald News of Fall River, the Taunton Daily Gazette, and ethnic and community weekly newspapers on the south coast of Massachusetts. He was promoted to GateHouse Media New England’s president and group publisher in 2013 and held that position until January. He has been a director and officer of the New England Newspaper and Press Association and a director of the Massachusetts Newspaper Publishers Association.

Doris Picardi has been promoted to display advertising director at the Boston Herald as of May 30. She will report to the vice president of advertising, Kathleen Rush. Picardi was employed in the classified advertising department for 29 years. She was first an advertising assistant and eventually became a staff manager, supervising revenue-producing events. Her responsibilities now include recruitment advertising, outside sales, outbound telemarketing, job fairs, supervision of advertising representatives for national, retail and Web advertising.

Adam Feuerstein is leaving New York City-based TheStreet to join Boston-based STAT, owned by the owner of The Boston Globe, as a senior writer and national biotech columnist. Feuerstein was a columnist on money and biotech for TheStreet. He also has been an assistant managing editor for the San Francisco Business Times and a reporter for the Atlanta Business Chronicle, where he covered commercial real estate and health care.

NEW ENGLAND

Mark C. Elliott has been named publisher of the Mt. Vernon (Ill.) Register News and the McLeansboro (Ill.) Times-Leader. For the past four years, Elliott was advertising director for the Anderson (Ind.) Herald Bulletin and then for Goshen (Ind.) News, for two years each. Before that, he was an advertising and marketing executive for newspapers in New Hampshire, Massachusetts, Vermont, Connecticut and Arkansas.

 

The Transitions were written, at least in part, from published reports by Bulletin correspondent Joshua Leaston, an undergraduate student at Northeastern University.

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Passion, community ties among keys for NENPA’s award-winning journalists

Robin Chan, the New England Newspaper and Press Association’s Weekly Photojournalist of the Year, is hugged after collecting one of his multiple awards at NENPA’s winter convention. Bulletin photo by Kareya Saleh

By Morgan Mapstone, Bulletin Correspondent

‘I like to be able to spend more time on a subject and learn more. My favorite assignments are those that allow me to learn something new.’

— Robin Chan, GateHouse Media New England

Robin Chan, the New England Newspaper and Press Association’s Weekly Photojournalist of the Year, is hugged after collecting one of his multiple awards at NENPA’s winter convention. Bulletin photo by Kareya Saleh

What is the key to creating an award-winning piece of journalism?

According to Walter Bird Jr., it’s approaching the task like it’s the last one you’ll ever have.

Bird won this year’s New England Newspaper and Press Association award for Weekly Reporter of the Year for the reporting work he did as editor of Worcester (Mass.) Magazine.

“I try to write every story like it’s my last,” Bird said.

In a Worcester Magazine story in February, Checked In and Pimped Out, about human trafficking in the Worcester area, Bird worked closely with victim advocates and talked with local police and motel and hotel staffs. Although that story did not contribute to his award, Bird referenced it as a prime example of his writing style. Bird said that by sticking with the specific angle of hotels and motels, he was able to write a cohesive and interesting story. Focusing on one element of a story can save writing from becoming complicated and gives it direction, Bird said.

Merrily Cassidy is congratulated by her boss at the Cape Cod Times of Hyannis, Mass., executive editor Paul Pronovost, after she received the New England Newspaper and Press Association’s Daily Photojournalist of the Year award at NENPA’s winter convention.
Bulletin photo by Katy Rogers
Merrily Cassidy is congratulated by her boss at the Cape Cod Times of Hyannis, Mass., executive editor Paul Pronovost, after she received the New England Newspaper and Press Association’s Daily Photojournalist of the Year award at NENPA’s winter convention. Bulletin photo by Katy Rogers

‘I like going out there and meeting people and getting different perspectives.’

— Merrily Cassidy, Cape Cod Times ~ Hyannis, Mass.

After the story was published, the city of Worcester set up sex-trafficking workshops to prevent more cases from occurring. To Bird, prompting such a result is the best type of achievement.

“The best type of stories are ones where something happens as a result of writing them,” Bird said.

His story ideas come sometimes from tips from his regular contacts, sometimes from pure luck in finding a topic, and sometimes from people in the community, Bird said.

“I look for stories that I think have something to say,” Bird said. “I don’t know if it’s as much my writing tactics, but rather the people that are in the story that make it what it is. The people tell the story.”

For this year’s winner of the Daily Reporter of the Year award, Doug Fraser of the Cape Cod Times of Hyannis, Mass., inspiration comes from his passion for the maritime beat he covers.

Fraser has dedicated more than 15 years of his career to following the great white shark population off Cape Cod. Surrounded by water, the Cape always has plenty of new and intense marine research to cover, Fraser said. To him, it is a perfect location for writing about topics rooted in nature that also have a technological component too, a combination he finds fascinating.

Walter Bird Jr., the New England Newspaper and Press Association’s Weekly Reporter of the Year, points to a fellow award winner at NENPA’s winter convention.
Bulletin photo by Kareya Saleh
Walter Bird Jr., the New England Newspaper and Press Association’s Weekly Reporter of the Year, points to a fellow award winner at NENPA’s winter convention. Bulletin photo by Kareya Saleh

‘I try to write every story like it’s my last.’

— Walter Bird Jr., Editor ~ Worcester (Mass.) Magazine

“I try to find things that are interesting to me so in that way I put a lot more energy and time into the story. It makes it easier to write it if you have a passion for what you’re writing about,” Fraser said.

Although his stories are usually inspired by his own inquiries, Fraser stressed the importance of including the community in his work. He said the local community can affect the success of a story.

“A lot of times it’s just knowing what’s important to the community that you’re covering,” Fraser said.

The jobs of this year’s award-winning photojournalists also require the same level of involvement in the community for success.

Coming from a reporting background, Merrily Cassidy of the Cape Cod Times, winner of this year’s Daily Photojournalist of the Year award, also has experienced the importance of connections in her work.

“My ideas come from whoever. I could meet someone six months ago and they mention something that is happening in the summer that I think could be a great feature or story,” Cassidy said.

Doug Fraser of the Cape Cod Times of Hyannis, Mass., displays his award plaque for the New England Newspaper and Press Association’s Daily Reporter of the Year.
Bulletin photo by Kareya Saleh
Doug Fraser of the Cape Cod Times of Hyannis, Mass., displays his award plaque for the New England Newspaper and Press Association’s Daily Reporter of the Year. Bulletin photo by Kareya Saleh

‘I try to find things that are interesting to me so in that way I put a lot more energy and time into the story. It makes it easier to write it if you have a passion for what you’re writing about.’

— Doug Fraser, Cape Cod Times ~ Hyannis, Mass.

In her recent work, Cassidy worked side by side with Coast Guard rescue swimmers as they practiced lifesaving techniques, following them for months in their training at boot camp. The time spent developing relationships with them Cassidy credits to her passion in her work.

“I like going out there and meeting people and getting different perspectives,” Cassidy said. “We hear about the Coast Guard all the time, so I thought it would be a cool thing to go out and put a face to the name.”

Developing a relationship with the photo subject is something Robin Chan of GateHouse Media New England, this year’s winner of the Weekly Photojournalist of the Year award, strives for as well. Chan said that, in his photography, it helps to try to be an active listener and observer, always looking to see how the subject is acting or what the subject is revealing.

“I like to be able to spend more time on a subject and learn more. My favorite assignments are those that allow me to learn something new,” Chan said.

Chan’s work includes shooting high school sports, town meetings and other events, but originally began rooted in nature. Chan began his photography career as a nature photographer out of his love for the outdoors, but switched to a people-focused form of the art later in his career.

“A lot of time with nature photography you don’t want people in the photo, but it’s the opposite with photojournalism. You want a person in the photo because the reader connects to a person,” Chan said.

So, how have these journalists achieved award-winning status?

Here are some final pieces of advice from this year’s NENPA award winners:

Bird: “This isn’t something you can teach, you just have to love it. Don’t just work, don’t just watch the paycheck. It’ll all come together if you work hard.”

Fraser: “When it comes time to write, it’s good to have read how other people have tackled writing in a way that’s interesting. Read other writers’ work and even that of your own staff. You can learn a lot from the people in your newsroom.”

Cassidy: “I once had an editor that would always say, ‘There are no boring assignments; yes, boring photographers and reporters, but no boring assignments,’ and I truly believe that.”

Chan: “Be a part of organizations like the National Press Photographers Association or the Boston Press Photographer Association. Enter their contests and keep looking at your own work critically. There’s always an opportunity to grow. I know I still have an opportunity to grow every day.”

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