
Kevin Slimp is director of the Institute of Newspaper Technology. Email questions to him at kevin@kevinslimp.com.
I spent my morning writing about mergers, buyouts, and bankruptcies. I don’t know about you, but I’m ready to spend a few minutes on something more fun.
For the past three or four months, I’ve been holding on to three new applications, waiting for the time to share them with my friends at newspapers. Now is that time.
The first, Affinity Publisher, made a lot of noise in 2019 as several online publications wrote about the similarity to InDesign, Quark and other layout applications at a fraction of the cost. I believe Rob Dump, publisher in Nebraska, was the first to write me and ask if his newspaper should cut the monthly subscription fees from Adobe and switch over this $49 (that’s a one-time process, not a monthly subscription). Others soon followed with the same question.
The good folks at Affinity were nice enough to give me free copies of each of their products: Publisher (similar to InDesign), Photo (similar to Photoshop), and Designer (similar to Illustrator). They had good reason. The products are solid and, with a few improvements, could work well in newspaper and magazine design.
However, and there always seems to be a however, Affinity Publisher is not ready for primetime yet. It’s a great product for someone designing a newsletter, poster, business card or whatever. There is, unfortunately, a major problem that makes it unusable in its current form for professional page layout: It just can’t handle PDF files in a way that makes them work correctly on the page.
I could spend 800 words explaining the issue, but I only have 800 words for my column, so let me break it down to its simplest element. In Affinity Publisher, PDF files are editable when placed on the page. That sounds good. It’s not, for our purposes. As a result, fonts are replaced, things move, and other issues appear that will not make your advertisers happy. Until that’s fixed, and I wouldn’t expect it to be fixed anytime soon, Affinity Publisher just won’t work for our purposes.
Affinity Photo, however, comes much closer to replacing Photoshop for our purposes. While still lacking many of the tools available in Photoshop, Affinity Photo is impressive and allows the user to edit a photo with good results. There are some tools missing, or at least I’ve not been able to find them, which are important in our work to ensure optimum printing in CMYK, but there are ways to address these.
In short, I wouldn’t be tossing out InDesign (or QuarkXpress) or Photoshop any time soon. Who knows, maybe Affinity will address some of these issues and we can all be free from monthly subscription plans, In the meantime, I expect I’ll keep shelling out a monthly fee for my Adobe licenses.
Which brings us to IDMarkz
I’ve loved Markzware products for more than a decade. Heck, it might be two decades by now.
Back when everyone seemed to be converting from Pagemaker and QuarkXpress to InDesign, we would have never made the transition without Q2ID, the InDesign plug-in that allowed users to open QuarkXpress files in InDesign.
Markzware has released several InDesign and Quark plug-ins in the years since, and their latest product will be of interest to a lot of newspapers.
IDMarkz isn’t a plug-in. It’s an application on its own. With IDMarkz, users can export InDesign files in various formats including: Affinity Publisher, QuarkXpress, Illustrator, and PDF.
One of Markzware’s chief marketing points is that users can preview and open InDesign files without having InDesign. If you’re a Quark-based publication, the ability to open an InDesign file immediately in QuarkXpress is a necessity. However, most of us already have InDesign, so what can IDMarkz do for us?
I experimented for an hour with IDMarkz and was intrigued by how well it exports files to other formats. Sure, some things move around and fonts change if you don’t have the font installed on your system. Still, the results are quite remarkable.
I can think of at least three reasons a newspaper might want to have IDMarkz on hand. First, if a newspaper is QuarkXpress-based, IDMarkz is a simple way to open InDesign files. Second, if your paper needs to send QuarkXpress files to clients, you could still design the files in InDesign and use IDMarkz to convert the files for QuarkXpress (although users are required to have Quark installed for this function to work). Finally, if your workflow requires you to create files to be converted to Affinity Publisher, IDMarkz is the best tool I’ve seen for this.
In a nutshell, not everyone needs IDMarkz, but a lot of us do. Visit markzware.com/products/idmarkz to try IDMarkz out for free. Purchases price is $199 (US).







Google v. Oracle: Tech battle ultimately about free speech
gpolicinski@freedomforum.org and follow him on Twitter at @genefac.
In what we can quaintly sometimes call “normal times,” copyright disputes are not regularly considered pressing concerns for the First Amendment.
Freedom of expression — the freedoms of press and of speech, articulated in the First Amendment’s 45 words — protects our right to speak.
But the technology and mode of how we speak generally is the province of other areas of the law, from contract law to rules protecting our right to peace and quiet at our homes late at night to copyright, the rules and regulations that prevent someone else from putting their name or improperly profiting on something we created.
But a case to be argued March 24 in the U.S. Supreme Court dramatically engages both the “to” and “how,” by raising both tech and creative questions involving computer code.
Google has successfully gotten the Supreme Court to review a 2018 Federal Circuit Court of Appeals decision in favor of Oracle, the multinational computer technology company. The two companies have been in dispute for about a decade over Google’s use of 11,000 lines of computer code making up what is called an “application programming interface” (API), originally written by Oracle.
In simple terms, APIs are how our electronic devices share information across differing products. As one document in the case explains, it’s what allows millions to “take a photo on their Apple phone, save it onto Google’s cloud servers, and edit it on their (Microsoft) Surface tablets.”
Here’s how to break down the two company’s arguments to the justices in this long-standing legal battle:
So, what is the First Amendment’s direct concern in all of this? Follow me through this.
Google supporters argue that being unable to use such common instructions will dampen the creativity of web developers and cripple software development — which for us means fewer ways to communicate by phone, tablet and such. They also warn the prohibition could cause companies to develop products incompatible with anyone else’s products, resulting in chaos for consumers.
Oracle advocates — who, at least online, seem fewer in number than those supporting Google — counter that the remedy for such a looming disaster is simple: Google pays Oracle a fee to use its product.
For all of us, the Supreme Court ruling could well help further define for the computer age a legal concept called “fair use,” which permits us to develop our own creative works by building on the earlier works of others. Such new creative work is said to “transform” the original — with a plethora of legal caveats on how closely the new work can copy or resemble the original.
Nearly 20 years ago, a parody of “Gone with the Wind” was published as “The Wind Done Gone,” taking the plot and characters of the original and revisiting the story from the point of view of an African American — and making the point about racial stereotypes in the original.
The estate of “Gone with the Wind” author Margaret Mitchell sued for violation of its copyright on what is considered the second highest-selling book after the Bible. The case was eventually was settled out of court. The author and publisher of the parody argued that by telling the same story, but from a slave’s perspective — even if followed the plot, scenes, settings and characters — the new work was sufficiently different.
In the Oracle-Google battle, another kind of fair use is in play. In asking the Supreme Court to hear its appeal, Google said APIs should not be subject to copyright because their very purpose is to be used by others, to connect products owned by someone else.
First Amendment advocates should watch the court’s decision — as difficult and complicated as the tech issues certainly are to track — because the potential appears to exist for limiting our ability to communicate with each other simply because our devices cannot connect. And, more broadly, we need to keep an eye on any dampening of the web’s potential for increasing public engagement in debate and decision on matters that affect us all.
A bottom line to it all: The nine justices hearing the appeal may well decide if we will face a real-life example (or perhaps parody) of that phone commercial in which the character repeatedly shouts into a mobile device, “Can you hear me now?”