Cathy Resmer | Seven Days | February 25, 2020
Writer Kate O’Neill’s 2019 series “Hooked: Stories and Solutions From Vermont’s Opioid Crisis,” published in Seven Days, received this year’s Jack Barry Communications Award from Recovery Vermont. The award presentation took place during the nonprofit advocacy organization’s annual Recovery Day event in Montpelier on February 12.
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Seven Days and Kate O’Neill Receive the 2020 Jack Barry Communications Award From Recovery Vermont
Keene Sentinel and Seven Days recognized by E&P as top 10 publishers
Nu Yang and Evelyn Mateos | Editor&Publisher | March 2, 2020
This year, we revamped our annual list of 10 Newspapers That Do It Right to 10 News Publishers That Do It Right. Our nomination form stated: “As our news industry grows and expands beyond paper, we want to profile not just newspapers, but all news publishers that are doing exciting things at their companies.”
So, for the first time, we invited news publishers—across all platforms—to send in a nomination. We heard back from 70 news outlets around the world, and we’re proud to introduce the 10 “super” news publishers (along with our honorable mentions) that made the list this year. As you read about each of them, we hope you’re inspired and encouraged about the bright and creative ideas taking place around our industry.
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Local high schools invited to participate in Breeze video contest
Ethan Shorey | The Valley Breeze | February 26, 2020
High schools in communities covered by The Valley Breeze are invited to participate in a video contest highlighting the importance of local journalism and The Breeze in the community.
Students from each high school, up to a maximum of four students per school, are asked to work with a coordinator on a single one-minute video. There is broad license for creativity within the project, and a panel of judges will decide the top three based on the overall product.
Students have until the end of April to create their videos and submit them.
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February Obituaries 2020
CONNECTICUT
MAINE
MASSACHUSETTS
NEW HAMPSHIRE
Pauline M. Robichaud
Richard Sullivan
RHODE ISLAND
Catherine L. (Lynch) Hoye
Dr. Fritz Wenisch
George Wood
VERMONT
Marie Maxon Hadwen
Call for coordinated editorials – raising our collective voice during Sunshine Week

As journalists, we rely on open government and freedom of information principles to keep the public informed about their government. Too often, though, we are met with roadblocks. Indeed, a recent Boston Globe editorial stated that when it comes to access to public records in Massachusetts “think thick dark clouds – not sunshine. This is the only state in the nation where the Legislature, judiciary, and governor’s office all claim to be exempt from state public records laws.”
The New England Newspaper and Press Association and the Boston Globe are working together to encourage newspapers across every state to run an editorial on the importance of open government.
With Sunshine Week coming up in March, we invite you to hold our government leaders and agencies accountable by writing your own editorials on the importance of open government.
Please join us in raising our collective voice for transparency and access to public information, and what it means for your readers and community.
This is a call for action on the importance of open government. Please publish an editorial during Sunshine Week, March 15-21.
Click here for a terrific example published by the Telegram & Gazette in Worcester.
Let us know that you’ll be participating:
We’ll collect all editorials submitted and we’ll share links to access all of them.
Contact Linda Conway at l.conway@nenpa.com or 781-281-7648 with any questions.
S
Sunshine Week is brought to you by the News Leaders Association and Reporters Committee for Freedom of the Press. With generous support from John S. and James L. Knight Foundation and The Gridiron Club and Foundation.
Submit links and PDF’s of your editorial to Tara Cleary at t.cleary@nenpa.com.
Digging deeper: How to find opportunities (and time) to go in-depth

Bart Pfankuch is the content director for South Dakota News Watch, an online public-service journalism group. He can be reached at bart.pfankuch@sdnewswatch.org.
Has the daily grind got you down? Are you missing on opportunities to move up in your career because your stories are stuck on average? Is it hard to remember the last time you broke a big story, produced a project or delved deeply into an important topic?
In today’s understaffed, overworked journalism environment, many daily and weekly newspaper writers are likely to answer “yes” to one or more of those questions. And while I understand why, I simply refuse to accept the notion that it is impossible for anyone to produce in-depth material.
As a quick definition, “in-depth” is coverage that includes: a higher quantity and quality of sourcing than normal; multi-part packages; projects with maps, graphics and charts; coverage of topics that are controversial or which someone wants kept quiet; use of reports, public documents and data to draw conclusions; use of multi-media and improved photography; or use of narrative form or thematic storytelling.
Here are some tips to find the topics, and the time, to do deeper work.
— Prioritize. We all have regular tasks to complete, meetings to cover or sections to fill. Commit yourself to doing those jobs more quickly and efficiently in order to maintain overall quality but to free up time each day or week to work on deeper or more long-range projects.
— Use time wisely. Sometimes you have to work late or on a weekend to land a big project. But to make in-depth work a habit, find ways to fit the work into your regular schedule. Reduce office chit-chat, avoid the time suck of social media; and stay on task when on the clock. Try to commit one hour a day or three hours a week only to project work.
— Watch for opportunities, then dive in. Great stories sometimes fall into our laps, but more often they must be found and cultivated. Always be on the hunt for topics that aren’t obvious or that can lead to change. Look for stories that involve government waste or mismanagement, those that highlight people who are in peril or who are suffering or are without a voice, or topics that powerful people want to keep hidden. When you get a reputation as a watchdog, sources with good stories will flock to you. Never, ever blow them off; listen to anyone about anything.
— Convince your editor, and yourself, of the importance. Going deeper won’t happen on its own; you will have to take the initiative and it will require extra work and energy. Don’t approach your editor with an idea until you’ve done your homework and have established a plan for what the story might say, how long it will take to complete and when it can be done. Good editors won’t turn away great work.
— Start small. Consider your first in-depth project a starter kit. Take on a story that you know can be done and completed rather quickly, but which has the potential for impact. With a small victory in hand, then shoot bigger and you’ll have the confidence to land larger stories. Try to complete a project every month, every quarter or even once a year if that is what time allows.
— Think beyond your borders. In small towns, or on busy beats, it can be tough to find topics that resonate widely. Tackle a topic that reaches beyond your town or your regular topic area by considering issues of statewide interest, industrywide reach or those that touch on an entire population of people.
— Keep clean, accurate notes. After every interview, type up or clean up the notes immediately and identify anyone or anything you might forget. Longer stories require more organization.
— Find a mentor. If there’s someone in your newsroom doing in-depth work, glom onto them and copy their best practices. If not, find someone outside the newsroom to confer with or go online to find someone in journalism to ask for help or advice.
— Emulate other good work. Keep your eyes peeled for journalism that stands out and then replicate it. Go on awards websites and click on the winners to see what type of stories, and which topics, are rising to the top of our field. Then, redo your own version.
— Keep it to yourself, at first. Do not make a grand announcement that you are working on a project. Rather, do the work quietly at first, diligently, until a project takes shape. When you know you can bring it home, then tell your editor or your colleagues. At that point, ask for extra time or open space in the paper.
— Collaborate. Once you have a green light to go deep, seek input from editors, other reporters, web folks, photographers and designers or anyone else who can help make the project shine.







