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Johnson: Video, social media transform community news

Bulletin photos by Chinyen Chang

Forsyth County News publisher shares successes

By Matt TotaBulletin Staff

Bulletin photos by Chinyen Chang

‘We identify an advertiser that could be interested, then we develop a show based on that advertiser and pitch it. If they approve it, we move forward. It’s very important to be driving revenue while we’re producing this content.’

— Vince Johnson, Publisher,
Forsyth County News, Cumming, Ga.

Newsrooms should consider hiring a videographer to work on the kind of polished videos that will attract advertisers, according to Vince Johnson, publisher of the award-winning Forsyth County News.

Although reporters can usually handle a camera, it is essential to have at least one staff member solely for planning and editing, so the videos achieve “that next level of production,” Johnson advised his audience at the New England Newspaper Conference Oct. 6.

Johnson was invited to the conference, held at the Crowne Plaza hotel in Natick, Mass., to talk about his success with the Forsyth County News, a 12,000-circulation triweekly newspaper in Cumming, Ga.

The Forsyth County News, which has 14 full-time employees, won the 2016 Mega-Innovation Award, presented at the Key Executives Mega-Conference hosted by the Inland Press Association, Local Media Association and the Southern Newspaper Publishers Association. The County News won the award for its adept use of social media and video production to market the paper and grow its presence in the community.

Johnson spearheaded the paper’s transformation, in part by tying video to advertising. Before producing a new video, the paper finds a business to sponsor it, he said. Typically, the paper will create a “dummy video” or trailer to bring to advertisers first.

“We identify an advertiser that could be interested, then we develop a show based on that advertiser and pitch it,” he said. “If they approve it, we move forward. It’s very important to be driving revenue while we’re producing this content.”

The partnerships have allowed the Forsyth County News to create several popular online video shows, including a high school football training camp series inspired by HBO’s “Hard Knocks” and one that spotlights the paper’s top three stories for the week.

One of the first video shows the paper released was “Studio Forsyth,” a magazine-style news show with two segments.

“It’s a play for brand advertisers: your hospital, your chamber of commerce, your economic development board – people that really want to talk about the good news that’s happening in the community,” Johnson, whose background is in video production, said. “We don’t include things like crime.”

Other interesting advertising strategies that Johnson initiated include “Own the Day,” a program where advertisers pay for a full-page print ad, select space on the paper’s website all day, and a spot in its top stories email.

“You are the top advertiser for that day,” he said.

Another factor in the paper’s recent success has been its more frequent use of social media, Johnson said. When he arrived in 2014, he quickly did away with one of the paper’s more antiquated social media rules.

“There was a rule at the Forsyth County News: Only one social media post per day – and it was always at 6 a.m.,” he said. “We immediately changed that and helped grow our audience.”

And he allows anyone on the newspaper’s staff to post on its Facebook page.

“I don’t think that it’s a problem. We have rules about how to post,” he said. “It’s about letting everyone pitch in and help with the social media platforms.”

The staff posts on Facebook about six to eight times a day, and the page has grown from about 1,000 followers when Johnson arrived to having more than 16,000 “likes” today, he said.

Members of the audience at Vince Johnson’s speech.

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Benton weighs good news, bad news for legacy media

By Rebecca ReevesBulletin Staff

Bulletin photos by Chris Christo
‘If (Facebook can) have your attention for 50 minutes a day, they can suck up any part of the American economy they want to.’

–Joshua Benton, Director and founder
Nieman Journalism Lab

“People have been predicting the death of print for a long time, and it’s been wrong every time,” according to Joshua Benton, director and founder of the Nieman Journalism Lab at Harvard University.

Benton then examined some of the main reasons for that prediction, and ultimately concluded that the future of print journalism remains unknown.

To do that, Benton asked and attempted to answer five key questions at the New England Newspaper Conference Oct. 6:

• Will print advertising continue to be a sustainable source of revenue for newspapers?
• Will technology companies control everything in the news industry?
• Will digital advertising ever increase to a point where it will sustain the cost of producing news?
• What will be the next new technology development affecting news after mobile devices?
• Will broadcast news be as disrupted by technology as print was?

To answer the first question, Benton highlighted the decline print journalism has undergone in recent years, noting that instead of shutting down, most newspapers just keep shrinking. He noted that print advertising revenue is down to $15 billion from $65 billion in the past 10 years.

He also made note of Jeff Bezos, the billionaire owner of The Washington Post, as an example of a world in which wealthy investors with no experience in the news industry can buy a newspaper and be successful. Bezos’ success has largely come from his ability to focus on the digital side of the Washington Post, rather than the print side. Benton said.

When tackling the question “Will technology companies control everything in the news industry?”, Benton noted that eight of every 10 links to a new website comes from Facebook and Google. That shows how much control technology companies have already, he said.

Benton also commented on ways in which journalists are already responding to the rise in social media’s influence in the news industry, using Facebook Live as an example. Facebook Live allows users to post live videos from anywhere in the world, and Benton said many news organizations have begun using it to connect more directly with their audience by posting brief videos several times a day.

Benton also noted the dominance Facebook already has, simply because of its ability to maintain the attention of the American people. According to Benton, on average Americans spend about 50 minutes a day on Facebook.

“If they have your attention for 50 minutes a day, they can suck up any part of the American economy they want to,” he said.

On the third question, Benton provided examples of how digital advertising is improving. Benton said two resurgent technologies are on the rise to combat ad blockers and other means of hindering digital advertising: e-mail newsletters and podcasts. Benton said e-mail newsletters are a direct-to-consumer solution that help to “re-create the regular news consumption habit.”

Regarding the fourth question, Benton said the news industry has spent too much attention on tablets, and not enough on smartphones. He said new and interesting news apps make phones a much more important resource for news companies than tablets and other technologies.

Benton also provided some examples of what might come after the mobile phone to revolutionize the way people get their news. He discussed Amazon Echo, a hands-free speaker that can be controlled by the user’s voice, as well as its competitor, Google Home, a similar device.

To answer the fifth question, about broadcast news, Benton said radio has remained strong, giving NPR as an example.

Benton was pessimistic, though, about the future for television news. According to recent studies, younger Americans are more likely to want to read their news, not watch it, he said. That conflicts with conventional wisdom; according to Benton, although younger Americans want to watch videos for entertainment, they do not want to get their news in that format. Benton said the decline in the percentage of younger viewers of TV news combined with new alternatives to TV news such as Netflix and Sling, a service that allows customers to select which channels they like and to pay only for those, has led him to question the role of local TV news in the future.

Benton concluded by providing reasons for optimism and reasons for pessimism for today’s news industry:

While the demand for media continues to grow and social media technology allows news companies to target their audience better, the rise of Facebook and Google and the lack of a new business model spell danger for the mainstream news industry.

Benton’s talk was presented at the New England Society of News Editors Journalism Conference during the daylong New England Newspaper Conference. The conference was held in the Crowne Plaza hotel in Natick, Mass.

Joshua Benton
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NESNE salutes storied history at 60th anniversary party

By Jesse Goodman, Bulletin Staff

Bulletin photos by Chris Christo
More than 60 guests posed for a photo during the celebration of the New England Society of News Editors’ 60th anniversary party.

The New England Society of News Editors has endured long enough as an organization to have seen the Cold War harden and thaw and now to see tensions rising again between the United States and Russia.

Among the society’s many valued achievements were the exchanges of Russian and New England journalists it arranged for about 15 years, during and after the Cold War.

The society, which in 2013 changed its name by substituting News Editors for Newspaper Editors and in 2012 abosrbed the former New England Associated Press News Executives Association, celebrated its first 60 years with a party during the New England Newspaper Conference Oct. 6 in the Crowne Plaza hotel in Natick, Mass.

The milestone anniversary celebration began after the society’s annual board meeting, during which two new board members were elected. Charles St. Amand, editor of the Sentinel & Enterprise of Fitchburg, Mass., and Anne Karolyi, managing editor of the Republican-American of Waterbury, Conn., were added to the society’s board on a unanimous vote.

The society includes members from the six New England states.

Richard Lodge, president of the New England Society of News Editors (NESNE) and recently named managing editor of the Newburyport (Mass.) Daily News, noted that NESNE was established 60 years ago mainly to provide workshops, seminars, and training for reporters.

“That’s what we do a lot of, and I think that will continue,” he said.

When asked about his thoughts on the 60th anniversary, Lodge said: “(It’s) a good time for an institution like this to see where (it has) come from and where it’s headed … the newspaper industry, it’s really important to know where it’s headed.”

More than 60 guests mingled at the event in a relaxed atmosphere. The festivities included cocktails, refreshments, and a slideshow with pictures from throughout NESNE’s history.

NESNE’s Russian-American journalist exchange originated in 1982. It included the exchange of both professional and student journalists between the Soviet Union and United States during a time when American and Soviet relations were strained.

When asked about the program, Len Levin, a former NESNE president and a board member for more than 30 years, said the experience was interesting. He went on a few of the exchange visits himself. Levin, who is retired, described it as “maybe the highlight of my career.”

Other highlights for the society since its founding have included last year’s workshop on the opioid crisis, and the featuring of presidential candidates among its speakers, including civil rights activist Jesse Jackson. The winners of the prestigious Yankee Quill Awards are selected by The Academy of New England Journalists under the auspices of the New England Society of News Editors Foundation.

Amy Callahan, a professor at Northern Essex Community College, located in Haverhill and Lawrence, Mass., and a NESNE board member of more than a year, had nothing but praise for NESNE.

“This organization is such a wonderful organization in that it promotes good journalism, encourages journalists to do the best work they can, and really serves as a voice for good journalism,” she said.

Richard Lodge
‘(It’s) a good time for an institution like this to see where (it has) come from and where it’s headed’

–Richard Lodge, President
New England Society of News Editors

AMy Callahan
‘This organization is such a wonderful organization in that it promotes good journalism, encourages journalists to do the best work they can, and really serves as a voice for good journalism.’

–Amy Callahan, Board member
New England Society of News Editors

Len Levin
Len Levin
Guests at the New England Society of News Editors’ 60th anniversary celebration are mirrored above some of the food served at the party.
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NEFAC panel discussion on legal issues in N.E. newsroom

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Don’t gild the lily

John Foust Advertising
John Foust Advertising

John Foust, advertising

John Foust has conducted training programs for thousands of newspaper advertising professionals. Many ad departments are using his training videos to save time and get quick results from in-house training.

Email for information: john@johnfoust.com

john-foust-ad-libs

The cliché “gild the lily” is a misquotation of a line from Shakespeare: “To gild refined gold, to paint the lily … is wasteful and ridiculous excess.” Correctly quoted or not, that common phrase refers to the unnecessary practice of embellishing something that doesn’t need embellishing.

Unfortunately, there’s a lot of lily gilding in the world of advertising. I remember talking to Isaac about an idea he had developed for one of his accounts, a construction company that was celebrating its 25th anniversary. His idea was a good one. It connected the company’s rich history to the growth of the community and their commitment to their customer base. It featured three sections: (1) their history, (2) their services, and (3) testimonial quotes. It was designed as a full color, two-page spread, which would represent the largest ad buy in that account’s history.

Isaac’s ad manager liked the idea so much that she wanted to join the fun. She said: “Let’s put a long, horizontal photo across the bottom of both pages, showing people standing in line to give testimonial quotes. That will say the company is so popular that there isn’t room in the ad for all of the quotes.”

That was the beginning of the end of a good idea. The ad manager insisted on accompanying Isaac when he presented the ad to the construction company’s marketing director. The original elements in the ad conveyed information in an honest, straightforward style. But the standing-in-line photo came across as an irrelevant gimmick. According to Isaac, the client laughed at the idea, and his boss felt the need to defend it. As a result, the idea was rejected outright and the account decided not to run anything at all in the paper to announce its anniversary.

What went wrong? This was a classic case of gilding the lily – subtraction by addition – fueled by the ad manager’s ego. The ad was fine until she insisted on adding something that didn’t belong. She didn’t know when enough was enough.

A graphic designer once shared a valuable lesson she learned early in her career.

“I had been asked to design a logo for a new client. As I worked, I gained a lot of creative momentum, and ended up with 15 or 16 ideas. A few were obviously better than others, but I felt a need to present them all. That was a bad move. It overwhelmed him to see all those logos, and he couldn’t make a decision. After that, I limited logo presentations to three choices.”

There are plenty of other examples: The ad campaign with copy points that stray away from the main theme. The layout with too many elements, because the advertiser doesn’t understand that an ad needs breathing room (white space). The extra word that adds nothing to the message. (The word “very” comes to mind.)

Sometimes the most creative step is to know when to stop. Just like a good car has good brakes, so should a good idea.

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Experts share analysis, advice

Kevin Slimp technology
Kevin Slimp technology

Kevin Slimp, technology

Kevin Slimp is director of the Institute of Newspaper Technology.

Email questions to him at
kevin@kevinslimp.com

I live a charmed life. Last week, I spent four days with nine of the top newspaper experts in the business, along with journalists from 22 states who were attending The Newspaper Institute in Knoxville, Tenn.

When those journalists get home, they often write to me about their experiences. More times than not, they mention the thrill of spending time with leaders they’ve followed for years.

Besides spending time with those “big names” at the Institute, I often get to visit and work with them at other times. In September, I began an experiment that has turned out quite nicely. As part of a project a group of us began working on last year, I created an online radio station and began interviewing folks I thought would be of interest to journalists. The results have been fascinating, and I decided to share quotes from a few of the interviews in this column.

Ed Henninger designEd Henninger, Sept. 13

Having developed a close relationship with Ed Henninger during the past 10 years, I invited him to be my first guest on “News Guru Radio.” I expected the conversation to revolve around design, but as is often the case during those interviews, the subject turned to more pressing matters. Ed brought up the topic of “synergy,” sharing memories from his days as a daily newspaper editor.

“Even before the web, larger papers started chasing their tails. ‘Synergy’ was where we all of a sudden decided to join efforts with the television newsroom. I remember sitting in meetings and thinking,’ ‘This is just so much garbage. Who came up with this?’”

Ed shared his concern that too many larger papers are more interested in cutting than growing.

“Too many stopped looking for ways to generate revenue and started looking for ways to cut costs. Not all are that way. But a lot of larger companies are no longer looking for ways to generate revenue. So the first thing they do when they buy a paper is to start firing people.”

tim-smithTim Smith, Sept. 19

Tim was my third guest on the program, and several listeners wrote in about all they had learned during the interview.

Tim had a lot to say about treating the customer right: “The customer is thinking, ‘This is the fourth salesperson I’ve seen in the last two years.’ They’re asking ‘What’s going on? Have you got a revolving door?’ I don’t blame them for wondering if they should be putting money into this paper.”

I asked Tim if he saw a lot of folks doing well selling digital advertising at newspapers.

“I see newspaper people taking from the print side to the digital side. The paper is the bread and butter, but I’ve seen companies pushing digital. I’m not going to shove something digital down my customers’ throats if they don’t need it.”

Tim discussed the tendency for metro papers to force digital onto their customers, rather than giving them what they want.

He didn’t mince words when he told me, “You’re going down the road Wells Fargo went down. I’m trying to sell stuff they don’t need (digital), and I’m trying to hide it or bury it so they don’t see it.”

He said digital sales have become too much “‘this is what I have’ instead of ‘this is what I need.’”

karl-kuntzKarl Kuntz, Sept. 27

Kuntz is a household name in photojournalism, and I wasn’t surprised that we had a big audience for the interview. We spoke for 30 minutes, and Karl gave some much-needed advice on getting great pictures.

Discussing sports photography, he said: “I search for a different way of looking at a picture. Once, when preparing to shoot a big game, I knew if Ohio State won, everyone would storm the field. I got to the stadium two hours before the game, got in my position, and stayed in the same spot the whole game to get two pictures. One was a six-column front page picture of the team carrying the quarterback off the field. Later, people would say, ‘That’s kind of a lucky picture.’ It wasn’t luck. It was planning.”

He advised listeners to look for a story off the field.

“Don’t just shoot action pictures. Sometimes the storytelling picture is not the action picture.”

chris-ashfieldChris Ashfield, Sept. 30

Chris is a community publisher in Saskatchewan. I learned during the interview that he had just purchased a paper previously owned by a large national corporation. He told us how things were coming along after transforming the newspaper from a corporately-owned paper to a community paper.

He described the transformation: “We’re getting more and more subscribers every day. We’re seeing advertisers come in and sign year-long contracts.”

I thought I might be hearing things, so I asked, “People are subscribing to the newspaper?”

“Believe it or not, people actually want to read the newspaper,” Ashfield said. “And advertisers see that we are serious about covering the community and they like it. They’re coming back to community newspapers as well.”

Chris told us the secret is all about keeping things local.

“We want to keep our local base of readers and advertisers happy. Because of that, we do a lot of things differently than a corporation would. I think that’s why we’re starting to see a resurgence of community papers in Canada.”

Joey Young, Oct. 12

Joey is the 32-year-old Kansas publisher I wrote about two months ago. He came up with a crazy idea of establishing print-focused community papers, and the world is taking note of his success. We learned in the interview that he didn’t inherit the papers or the money to establish the papers. He did it through luck and hard work.

“It’s been nuts. I didn’t realize we were in a really good position. My friends were questioning what I was doing because they don’t understand the newspaper business.”

I asked how things were going after three years.

“We’ve just kind’ve blown up,” Joey said. “We’re up to four weeklies, one monthly, and a glossy magazine.”

Joey was quick to share his thoughts about investing in digital publishing.

“Publishers think they should be doing more digitally than they are. They throw things at the wall to see what sticks. I didn’t have any idea how many people were going to call me, trying to sell me the next great digital product to make me rich. To be honest, I haven’t found one that works yet.”

I asked why, after 20 years, newspapers still think that there is a fortune to be made on the digital platform.

“I think everybody lives in their bubble and thinks, ‘Somebody’s gotta be making money with this or they wouldn’t be selling it.’”

He was quick to add, “I’m not sure anybody is.”

Joey, who owns both paid and free papers, went on to praise two associations his paper is a member of: Midwest Free Community Papers and Kansas Press Association.

“I met you though MFCP, and I’m proud of my state association in Kansas. They’ve had you out recently. They’ve also had Ed Henninger visit. I believe our association is doing a good job focusing on print.”

iris-chyiIris Chyi, Oct. 17

Sometimes you just get lucky. That was the case Oct. 17 as I interviewed Iris Chyi of The University of Texas School of Journalism.

I was lucky because just one day later, my inbox was flooded with links to a story on Politico.com from journalists at newspapers, primarily metro papers, throughout the country. The link was to an interview with Chyi, discussing her research into the biggest newspapers in the United States.

Many of the messages began with “You’ve been telling us this all along,” or, “I guess you can write to all the metros and tell them you told them so.”

I wrote about Chyi in this column two months ago. For the past two years, she and I have been discussing our research – mine focusing on newspapers as a whole, hers focusing on metro papers exclusively – that lead us to the same conclusions.

Discussing the popularity of digital newspapers, Chyi told me: “Since day one, the digital-first thinking has become an ideology that’s been getting stronger every day. However, the audience response has been really underwhelming.”

“Hang on,” I said. “Did you just say that the audience response to digital-first has not been as huge as we might have been led to believe?”

“That’s correct,” she said. “Since day one.”

She reminded my listeners that that isn’t a new development.

“It’s been 20 years. This is 2016. It’s been 20 years that newspapers have been experimenting with digital. We’ve found that, as of last year, each of the 51 metro papers we’ve studied had far more print readers than online readers in their local markets. Not only that, during the past eight years, most have seen no or little growth in their online readership.”

I learned something new when she discussed similar research taking place around the world.

“I’ve conducted research in Hong Kong and Taiwan,” she told me. “Other researchers are reaching the same conclusions in the U.K., so I can say this has been a fairly universal pattern.”

Chyi seems to be popular at the moment; major organizations are taking note of her research. She talked to me about “group think,” the notion that large groups can share an ideology simply because so many people believe it, whether it’s true or not. She concluded our visit by sharing an interesting example of group think that occurred when she wrote an essay for a national press association whose membership included many of America’s metro papers.

“A well-known newspaper association invited me to write an essay about my research, but after a few days told me they couldn’t run my story. Many of their metro members were pursuing a digital-first strategy. It struck me how this ‘group think’ can be so pervasive.”

I asked why, if so much independent research indicates that digital-first isn’t working, so many large papers continue to push forward along that path.

“I don’t have any idea,” she said. “You will have to ask them.”

Maybe that will be in a future interview.

You can find a listing of upcoming interviews at newspaperacademy.com.

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What she said

Ed Henninger design
Ed Henninger design

Ed Henninger, design

ED HENNINGER is an independent newspaper consultant and the director of Henninger Consulting.

Website: www.henningerconsulting.com
Phone: (803) 327-3322

WANT A FREE evaluation of your newspaper’s design?
Just contact Ed: edh@henningerconsulting.com | (803) 327-3322

IF THIS COLUMN has been helpful, you might be interested in Ed’s books: “Henninger on Design” and “101 Henninger Helpful Hints.” With the help of Ed’s books, you’ll immediately have a better idea how to design for your readers. Find out more about “Henninger on Design” and “101 Henninger Helpful Hints” by visiting Ed’s website: www.henningerconsulting.com

henninger-tanner-designRenee Tanner is a designer at the News-Review in Petoskey, Mich. A few years ago, Renee and I got to know each other well as we worked together on a redesign of the News-Review.

It was a delight working with Renee because she was bright, quick and ready to learn. The News-Review is a better newspaper because of Renee’s work, and I’m happy to see that.

Renee also writes a column for the News-Review. A few weeks ago, she sent me a link to that column along with this note: “Hello Ed. I think you would appreciate my column this week, for you inspired much of it.”

What Renee wrote goes to the heart of how and why we do news design.

I asked Renee if I could share the column. She agreed.

Here’s what she said:

After almost 5 years of writing this column, I think it’s high time I wrote about what I do.

Most of my readers (otherwise known as family and friends) obviously know that I write a column. And if they read it all the way to the bottom, they’ll see the blurb that says, Renee Tanner is a News-Review page designer.

Yup. I design pages. I do graphic design as well. A chart, a map, an illustration of some sort. I enjoy creating things like this.

Making sense of any subject and then communicating it to you visually so you can make sense of it, too. That’s it. That’s what I do. And I love it.

Zoom in if you want to see how we designers go about this task. We use buzz words like the “rule of threes” and white space and kerning. We edit photos and pay attention to typography. There’s the lining up of headlines and bylines and manipulating text space, making cuts and tweaks. And on top of all of that, the page has to be technically correct so it will go to the press without a hitch.

It’s gotta be perfect. As perfect as we can get it. And it’s gotta be by deadline.

Renee Tanner
Renee Tanner

Some people say, “Oh you’re a designer so you get to be creative!” but it’s really not all about that. Painters are creative. Composers and writers. In my experience (and I’ve got 20 years of it) designing anything: an ad, a flyer, a business card, a website, is more about clear communication and functionality and less about picking a font and color.

If you can read and navigate a page without confusion, without struggling to figure out where to look first and without having to squint against crazy background colors and special effects, then I’ve done my job.

Clearly.

An excellent column: brief and to the point. Thanks, Renee!

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Kelly Tremaine

Kelly Tremaine
Kelly Tremaine

Kelly Tremaine began Oct. 11 in the newly created position of associate publisher of The Westerly (R.I.) Sun, the Mystic River Press of Mystic, and the South County Press, which covers several communities in Washington County in Rhode Island and is based in Pawcatuck. Those three print newspapers are owned by the Sun Media Group, based in Pawcatuck. He will be responsible for local business activities and community outreach for the Sun Media Group. He will also direct the local advertising sales team. Tremaine has been in media sales for 25 years, beginning after college. His career began with The New York Times Regional News Group in Gainesville, Bradenton and Sarasota, Fla. He has also been in both local and regional sales director positions with Hearst Media Services of Danbury and the then-Journal Register Company, based in New Haven. He was the lead advertising executive at the New Haven Register for two years. His career was spent mostly at The Hartford Courant, where he most recently was advertising director for its major, national and entertainment accounts. John Layton, who was vice president of advertising, will take up the role of regional sales director. He will be responsible for the real estate section in Westerly, as well as directing the debut of the new Mystic Places real estate section, which first appeared in the Mystic River Press Oct. 6. Layton will also continue overseeing several important retail advertising accounts and the classified section for the Westerly and Meriden areas.

The Transitions were written, at least in part, from published reports by Bulletin correspondent Nimra Aziz, an undergraduate student in the Northeastern University School of Journalism.

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Nancy Wimmer

Nancy Wimmer
Nancy Wimmer

Nancy Wimmer, 70, of Londonderry, N.H., died Oct. 17 at home.

She was a former advertising employee of the Derry (N.H.) News.

She leaves a son, Mark; a daughter, Kelley; two grandchildren; three siblings.

The obituaries were written, at least in part, from published reports by Bulletin correspondents Ashleane Alabre, Sophie Cannon, Jenna Ciccotelli, Nico Hall, Joshua Leaston, Georgeanne Oliver, Julia Preszler and Thomas Ward, undergraduate students at Northeastern University.

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James J. ‘J.J’ Smith

James J. ‘J.J’ Smith
James J. ‘J.J’ Smith

James J. “J.J” Smith, 95, of Wakefield, Mass., and formerly of Watertown, Mass., died Oct. 5 in his home.

Smith had been a journalist and columnist for United Press International as the UPI night editor in Hartford, Conn.

In 1965, he began at the former Boston Herald-Traveler, covering the Massachusetts statehouse.

He had been editor and publisher of the Labor Action News and the Judicial Forum. He also has been a special correspondent for Boston’s Post-Gazette

Smith was a press secretary for then-Massachusetts Gov. Endicott “Chub” Peabody, and public relations director for St. Francis Hospital in Hartford.

He leaves three daughters, Kathleen, Patricia and Carey, and four grandchildren, Brendan, Tyler, Dylan and Samantha.

The obituaries were written, at least in part, from published reports by Bulletin correspondents Ashleane Alabre, Sophie Cannon, Jenna Ciccotelli, Nico Hall, Joshua Leaston, Georgeanne Oliver, Julia Preszler and Thomas Ward, undergraduate students at Northeastern University.

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