Page 130

Drive straight to the story

Jim Stasiowski, writing coach
Jim Stasiowski, writing coach

Jim Stasiowski, writing

Writing coach Jim Stasiowski welcomes your questions or comments.

Call him at
(775) 354-2872
or write to:
2499 Ivory Ann Drive
Sparks, NV 89436.

Boredom alert: Much of this column is about two activities that some people (mostly intellectual snobs) have little or no interest in: golf and television.

If you’re a journalist, however, I already have enticed you into reading more because you’re curious about how I am going to pull off an unlikely connection between writing for newspapers and watching golf broadcasts.

What you learn early about golf, as a player or a spectator, is that there is a story in every shot, every hole, every round, every competition.

Think for a moment what a story is: Someone (or some group) is trying to accomplish something, and to do so, he, she or they must overcome difficulties, which is the very definition of golf.

I know people who never play golf, but when it is on TV, they’ll watch because of the constant compelling drama. Even if you don’t know Jordan Spieth from the River Jordan, you can witness a vast range of emotions in a golf broadcast, not unlike in some sappy love story on another channel, as players reach for excellence and succeed spectacularly, fail dismally or fall somewhere in between.

I love golf, love playing, watching, talking about it or even thinking about it. And on a recent Sunday afternoon, as my wife, Sharon, and I were watching a hotly contested professional tournament on television, the broadcast abruptly switched from the live action to an electronic chart listing where a dozen (or so) competitors ranked in some apparently meaningful statistic.

Picture this: An attractive woman steps up to an electronic screen and touches it to show me, a golf fan, some names and numbers.

Why, why, why would the broadcast’s director, who should know that every shot is a story, yank me away from the reason I tune in and instead show me lifeless statistics?

Because he can. Because the broadcast team used fancy communications and computation gizmos to compile the stats, and because the network has invested in these gimmicky touch-screens, if the director doesn’t use them at least once in the tournament, some executive upstairs will scream, “So why did we invest in that fancy touch-screen and in all the computers and smart-stuff required to create the statistics if we’re never going to use them?”

The lesson to all of us should be that although statistics can be illuminating and graphics can aid understanding, they should never take the place of telling a story (or, in the case of a TV broadcast of a golf tournament, aiming a camera at players and letting them tell their own stories).

“But Jim,” you’re saying, “we’re newspapers, and that’s TV. We’d never fall for the superficiality and flash that networks rely on.”

But we would. We have. I have proof: USA Today.

In the late 1970s, early ’80s, newspapers freaked out because TV news was stealing our faithful readers, so Gannett invented USA Today, which so blatantly imitated a local news broadcast, readers every few minutes would involuntarily read an ad so as to duplicate the commercial interruptions of the “News At 11” experience.

(Incapable of subtlety, Gannett even made USA Today’s street-sales boxes look like TV sets.)
Before long, throngs of newspapers were blatantly imitating USA Today, with cartoonish (and only occasionally relevant) graphics, stories short enough to finish in the time a reader takes to swallow five or fewer spoonfuls of Cheerios, punny headlines and straining-for-clever six-word teasing lead sentences that call to mind the silly bantering between the shallow anchorman and the weather-forecasting starlet.

Our TV role-playing didn’t work; it simply made readers who value depth – in other words, our core readers – lose faith in us.

The problem newspapers face today is that as staffs shrink and the availability of click-for-everything data expands, we risk relying too much on easy research and too little on writers who know how to use their judgment, curiosity and storytelling skills to explain the world.

I’m not anti-statistics; I am, however, anti-ostentation, anti-showing-off. When I do seminars, I don’t use PowerPoint or other electronic gizmos that would illustrate my points. I eschew such frills because when I’ve sat through PowerPoint-aided seminars, I have noticed that people in the audience stare at the screen rather than watch the seminar presenters in action.

I want people to watch me, read my expressions and gestures, focus on my words and experiences, just as the best golfers in the world deserve all the attention as they present their stories of glory and failure.

Journalists need statistics, yes, but to add to, not replace or distract from, our stories. The unstoppable growth of glitzy computing and presentation tools tempts us to dilute our storytelling, but we have to resist TV’s mindless addiction to them.

THE FINAL WORD: Avoid the dumbing-down word “timeline.”

Its use implies we cannot trust our readers to understand the vivid, specific words “chronology” (a start-to-finish list of events that have happened) and “schedule” (events that are about to happen).

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For our freedoms, is a ‘C+’ grade good enough?

Gene Policinski First Amendment
Gene Policinski First Amendment

Gene Policinski, inside the First Amendment

Gene Policinski is chief operating officer of the Newseum Institute and senior vice president of the Institute’s First Amendment Center. He can be reached at gpolicinski@newseum.org.

Follow him on Twitter:
@genefac

When it comes to our core freedoms, is a “C+” grade good enough?

A new First Amendment Report Card, released by the First Amendment Center of the Newseum Institute, gives our First Amendment freedoms — religion, speech, press, assembly and petition — a composite grade of C+.

The grades were assigned by 15 panelists from across the political spectrum, some of them experts on First Amendment issues overall, and some who focus on specific areas such as religion or press.

Assembly and petition — the rights to gather peaceably with like-minded people without government restriction or prosecution, and ask the government for changes in policies and practices — received the highest marks, at a “B-.” Religion and speech were graded at a “C+,” while press was given a “C.”

On press, for example, panelists pointed to President Trump’s campaign threat to “open up” libel laws to sue media outlets more easily; the administration blocking certain news organizations from attending White House briefings; the “fake news” phenomenon; and the president’s general enmity for the press.

Assembly and petition received the highest grades, with panelists noting that recent protests and political marches were classic demonstrations of both freedoms, and that the government took no action to crack down on them or the resulting press coverage.

Perhaps you — or I, since I didn’t participate in the grading — might have rated the freedoms differently. Good. That would mean we were thinking critically about those basic freedoms, which define us as citizens and enable our democracy to function as such.

And no doubt some people will say that in a contentious world, and with an electorate split straight down the middle on most issues, it would be too much to expect a more favorable assessment of the First Amendment.

But I’ll admit that a “C+” leaves me uneasy.

For too long, too many of us have either taken those freedoms for granted, assuming that they will always be there, or considered them in narrow ways (believing, for example, that freedom of speech is not for those with whom we disagree, or that so-called fringe faiths are not really covered by freedom of religion).

Many more of us live in ignorance of the freedoms that were so dearly won. Each year, when results of the First Amendment Center’s State of the First Amendment survey are released, the survey consistently finds that large numbers of Americans — sometimes more than one-third — cannot name a single freedom provided by the 225-year old amendment.

The report card, titled “The First Amendment in the Age of Trump,” nonetheless reflects issues that are not limited to the president’s first 100 days, or to the time he spends in office.

Some of those issues have been simmering for years. The Tea Party and the Occupy Wall Street movements raised issues around speech, assembly and petition to new levels of awareness. The “culture wars” around matters of faith — from the silly, such as whether to call them “Christmas” or “holiday” trees, to the very serious, such as federal policies that might discriminate against Muslims — have raged for decades, and show no signs of abating.

Surveys dating well back into the 1990s chart a growing public apprehension about the credibility, motives and bias of the news media, and a worrisome erosion of support for the press’s role as a “watchdog on government.” Amid worsening public opinion, journalists have also had to contend with shrinking resources as they attempt to track government officials’ performance and measure government effectiveness.

The quarterly report card is not intended, and could not be, the final word on our First Amendment freedoms — the issues are too complex and the disputes too numerous, and filled with far too many twists and turns.

But the grading system will serve to call our attention, particularly over time, to a need to defend one or more freedoms from momentary threats and longer-term assaults on our free expression and religious liberty rights.

Stay tuned — a new First Amendment Report Card will be issued each quarter, prompting us all to take a closer look at how we understand, defend and practice our First Amendment freedoms.

And maybe one day we’ll get to add another grading area — one where you and I and our fellow citizens get an “A” for effort.

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Alan Rosenberg, David Butler, & Michael McDermott

Alan Rosenberg
David Butler
Michael McDermott

Alan Rosenberg, managing editor at The Providence Journal, will succeed David Butler as executive editor of the Journal when Butler retires in June. Rosenberg has been with the Journal for the past 39 years. He is also an adjunct professor at Rhode Island College. Rosenberg began his news career as a reporting intern for The Herald-Dispatch of Huntington, W. Va., and the Detroit Free Press before joining the Journal in 1978. He has had a number of key jobs in the local news and features departments. Michael McDermott will take over as managing editor. McDermott is assistant managing editor for breaking news and feature sections of the Journal. Butler’s newspaper career began as a reporter for The Southern Illinoisan of Carbondale, Ill., in 1972. He was named metropolitan editor there in 1978. He also has been assistant city editor at The Sun-Sentinel of Fort Lauderdale, Fla., and the then-Fort Lauderdale News. Butler later was appointed editor at The Messenger-Inquirer of Owensboro, Ky. He has been an editor at the Jacksonville (Fla.) Journal and assistant managing editor of the Rocky Mountain News of Denver. Butler also was editor at the New Haven (Conn.) Register. In 1997, Butler joined the MediaNews Group newspaper chain, which later merged into the Digital First Media newspaper chain. From 1997 until 2005, Butler was executive vice president for news and editor of the Los Angeles Daily News and of the Los Angeles News Group. In 2005, he became editor and publisher of the Detroit News. He also has been the MediaNews Group’s vice president for news in Denver and editor of the San Jose (Calif.) Mercury News, and executive vice president and editor in chief of the parent Digital First Media and editor and senior vice president of the San Jose Mercury News and its sister newspapers, the Contra Costa Times and Oakland Tribune, all in California.

The Transition was written, at least in part, from a published report by Bulletin correspondent Eloni Porcher, an undergraduate student at Northeastern University.

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eBulletin Obituaries

James Breagy

James Breagy, 79, of Barnstable, Mass., died April 18 at his home.

Breagy’s newspaper career included stints as city reporter and editorial writer for the former Boston Record American and for the Boston Herald

He leaves his wife, Paula; three sons, Jim, Mathew and Patrick; four grandchildren; a brother.

Oscar A. ‘Pete’ Levesque

Oscar A. “Pete” Levesque, 71, of Fall River, Mass., died April 24 at Crawford Nursing Home in Fall River.

Levesque was a sportswriter for 30 years for The Herald News of Fall River.

He leaves his wife, Claudia; three children, Peter, Christine and Catherine; three grandchildren.

Shirley (Sanville) Scamman

Shirley Luella Merrifield (Sanville) Scamman, 95, of Scarborough, Maine, died April 21 in her home.

She was a community reporter for the Brattleboro (Vt.) Reformer and was employed at the Book Press in Brattleboro.

She leaves three daughters, Leona, Mary and Barbara; three sons, Duane, Gerald and James; five stepchildren, Mary, Wayne, Roberta, Michael and Georgia; 30 grandchildren; 38 great-grandchildren; five great-great-grandchildren; two brothers; two sisters.

Lynn C. Elder

Lynn C. Elder, 68, died unexpectedly April 11 at her home in Naples, Fla.

She was a reporter and copy editor for newspapers in Massachusetts and New York

She leaves a sister, Judy; a brother, James; nieces and nephews.

Vincent J. Bartimo

Vincent J. Bartimo, 95, of Gulfport, Fla., died Nov. 30 in Florida after a brief illness.

Bartimo had been a reporter for The Times of Pawtucket, R.I.

He leaves a son, James; a grandson, Brian; two great-grandchildren.

Errol J. Pomerance

Errol J. Pomerance, 75, of Pawlet, Vt., died April 15.

He wrote a monthly column, The Sky this Week, for The Manchester (Vt.) Journal.

He leaves his wife, Anita; his former wife, Lynn Carol Fisher; four children, Robin, Jennifer, Brian and Jonathan; three stepchildren, Michael, Monica and Sabrina; nine grandchildren; a brother.

Earle Hutchinson

Earle Hutchinson, 93, of Wallingford, Conn., died April 26 at Masonicare Health Center in Wallingford.

Hutchinson was motor route newspaper carrier for the Record-Journal of Meriden, Conn., for 44 years.

He leaves his wife, Adelaide; two sons, Christopher and Jeffrey; five grandchildren; three great-grandchildren.

Edward T. Gilbert Jr.

Edward T. Gilbert Jr., 54, of Waterville, Maine, died April 20.

Gilbert was a newspaper carrier for the Morning Sentinel of Waterville for more than 20 years.

He leaves several aunts and uncles.

Jacqueline M. Bryk

Jacqueline M. Bryk, 70, of Derby, Conn., died April 23 at Gardner Heights Health Care Center in Shelton, Conn.

She was employed at the then-Evening Sentinel and was a pasteup artist at Charlton Press, both in Connecticut.

She leaves two brothers, Richard and Conrad; two sisters, Deborah and Elaine; several nieces and nephews.

The obituaries were written, at least in part, from published reports by Bulletin correspondents Ashleane Alabre, Jenna Ciccotelli, Joseph Dussault, Nico Hall, Joshua Leaston, Michael Mattson, Eloni Porcher and Mohammed Razzaque, undergraduate students at Northeastern University.

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Industry New – May 2017

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25 rules for good design

Ed Henninger design
Ed Henninger design

Ed Henninger, design

ED HENNINGER is an independent newspaper consultant and the director of Henninger Consulting.

Website: www.henningerconsulting.com
Phone: (803) 327-3322

WANT A FREE evaluation of your newspaper’s design?
Just contact Ed: edh@henningerconsulting.com | (803) 327-3322

IF THIS COLUMN has been helpful, you might be interested in Ed’s books: “Henninger on Design” and “101 Henninger Helpful Hints.” With the help of Ed’s books, you’ll immediately have a better idea how to design for your readers. Find out more about “Henninger on Design” and “101 Henninger Helpful Hints” by visiting Ed’s website: www.henningerconsulting.com

I’m always amused — and a bit disappointed — when someone tells me “I just love breaking the rules” of design.

More often than not, that person isn’t breaking any rules at all — because he or she doesn’t even know the rules. You can’t break the rules if you have no idea what the rules are.

What are the rules? How many rules are there? Well, I’m not sure of the answers, but I do know some rules — and I help my clients learn them and follow them.

Check type in a text wrap for excessive word spacing.

Here are 25 rules of news design I teach. I’m sure there are more … but these are among those I consider more important.

  1. Choose typefaces for their legibility — especially text.
  2. Treat display typefaces with respect. Keep scaling and tracking to a controlled minimum.
  3. Avoid typefaces that are overused. Times and Helvetica are two such.
  4. Avoid typefaces that are over-designed. Papyrus and University Roman are two such.
  5. Create a baseline grid and align all text to it, including captions, bylines, credit lines and jump lines.
  6. Treat typography in lists differently from story text. Consider using sans serif type with a hanging indent.
  7. Avoid the gratuitous use of color.
  8. Avoid color screens over stories or around photos.
  9. Avoid magenta at all costs.
  10. Drop the use of boxes to frame packages.
  11. Use rules to separate packages.
  12. Do not clutter your nameplate with too much ancillary type and unnecessary verbiage.
  13. Learn to work in picas, rather than inches, when doing news design.
  14. Learn and use the basics of headline hierarchy.
  15. Strive for consistency in the look of key design elements, such as section flags, standing heads and column sigs.
  16. Allow three picas of space between packages on open pages, such as page 1, Opinion and an ad-free sports front.
  17. Allow two picas of space between packages on pages with ads.
  18. Create and use paragraph styles and character styles in your design software.
  19. Create and use object styles for those elements you use regularly, such as photo frames.
  20. Keep jumps to a minimum.
  21. Check and adjust justified type in a text wrap carefully if there’s excessive word spacing.
  22. Place page numbers to the outside corner of pages.
  23. Plan for and use visuals — photos, charts, maps — throughout all your designs. Readers will not swim through a sea of gray.
  24. Keep story length to no more than 12 to 15 inches. Reader survey after reader survey tells us readers will not finish a story that’s more than 12 to 15 inches. If a report must be longer, find ways to segment it.
  25. In everything you design, place the reader first. Not the writer. Not the editor. Not yourself. The reader.

So … 25 rules, none of them difficult to follow. Now you know them. So now you can break them.

But you do so at your own risk.

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Favorite apps for journalists

Kevin Slimp technology
Kevin Slimp technology

Kevin Slimp, technology

Kevin Slimp is director of the Institute of Newspaper Technology.

Email questions to him at
kevin@kevinslimp.com

In April, I was asked to speak on the topic “New Tools for Newspapers” at an industry-related conference in Des Moines, Iowa. Taking the easy way out, I quickly went online and asked newspaper professionals to share their favorite apps, programs and devices.

I quickly learned that editors, designers, photographers, ad reps and other folks at newspapers have definite favorites to help with their daily tasks. Let’s examine a few.

Phonto (free)

Phonto is a simple application that allows users to add text to pictures on their smartphones. Kim Shepherd of Delhi, N.Y., wrote that she used Phonto for weather updates online. She was even nice enough to send a couple of samples.

One was a photo of a postal carrier trying to deliver mail in the snow, with the words “No Mail Today” in bold red letters over the picture. Another reminded users a state of emergency was in effect for their county.

Tout (free)

Several users wrote to tell me about Tout, an application that allows users to record, upload and distribute video using smartphones and tablets.

Michael Smith of Aiken, S.C., explained that his daily newspaper used Tout to record and upload videos from the field, while an editor examined and approved the material using a desktop version of Tout.

Slack (free)

Nathan Simpson of Shelbyville, Ky., was the first to write to me about Slack, an app that allows teams to check off to-do lists while working together on a project.

I did a little research and found examples of sales staffs, designer groups and marketing teams using Slack to keep track of their progress while all working on the same project.

Fast Scanner (free)

Kristi Nelson Bumpus, a metro reporter in Tennessee, was the first to comment about scanning software. She noted that her current favorite was Fast Scanner, a free app by Hang Nguyen.

Fast Scanner allows the user to take a pic on their phone, then quickly convert the image to a high-res PDF that can be sent directly from the app via email or messaging.

Percent Calculator, Percentage Calculator (free)

Several ad reps wrote in about calculator apps. No one wants to pull out a pen and paper in front of a client to calculate percentages. Two apps, Percent Calculator and Percentage Calculator, were the most mentioned.

Adobe Sign (free for Adobe CC subscribers)

Adobe Sign is another scanning application with an important twist. Adobe Sign allows users to sign documents using their fingers on their phone screens. Documents can be scanned, converted to PDF and signed, all in one sequence.

Adobe signature is legally binding, compliant with e-signature laws around the world.

Instapaper (free)

Instapaper is a favorite of reporters and researchers who need to search and save information on the internet. A simple click allows users to save Web pages and stories to a phone, tablet or computer. Creating archives of Web pages related to a topic is a breeze with Instapaper.

Snapseed (free)

Snapseed might be the best photo editing application for phones. Many of the tools available in Photoshop, Lightroom and other editing applications are available within Snapseed.

Shadows and highlights, dodge and burn, spot repair, tuning and more are available all while working from a phone or tablet.

Camera+ ($2.99 – $4.99)

Simply stated, Camera+ is the best app for taking pictures on an iPhone or iPad. For photographers who want total control over their photos and wish to attain the highest quality reproduction, Camera+ is a must-have app.

I use Camera+ almost daily to shoot RAW images on my iPhone 7, which uses dual lenses to produce RAW images. Compared to the camera app that comes built-in with the iPhone, Camera+ produces results that are far superior.

I received dozens of suggestions, which made preparing for my session in Des Moines a snap. If you have a favorite app, I’d love to know about it for future columns. Send me a note at kevin@kevinslimp.com.

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The power of repetition. The power of repetition. The power of …

John Foust Advertising
John Foust Advertising

John Foust, advertising

John Foust has conducted training programs for thousands of newspaper advertising professionals. Many ad departments are using his training videos to save time and get quick results from in-house training.

Email for information: john@johnfoust.com

john-foust-ad-libs

Catherine climbed the ranks from salesperson to sales manager at her paper.

“Although I’ve been in the business for a long time, there’s always a new way to look at advertising,” she told me.

She mentioned a recent trip to a fast-food restaurant.

“I was between meetings in a nearby town and needed a quick lunch. So I dropped by McDonalds. It had been over a year since my last trip to a McDonalds, and I was trying to choose between two of their trademark products, a Big Mac and a Quarter Pounder. I was planning to ask the cashier about the ingredients in the Big Mac, then all of a sudden I remembered their famous television jingle from my childhood. ‘Two all-beef patties, special sauce, lettuce, cheese, pickles, onions on a sesame seed bun.’ I hadn’t thought about that in years, but it was in my memory bank. I did an online search later and was proud that had I remembered every ingredient in the proper order.”

That McDonalds campaign ran for about a year and a half in the mid-70s. And 40 years later, Catherine still remembered. That’s the power of repetition.

Would she have remembered the jingle if it had run only one time? Not a chance.

Did you learn the multiplication tables by going through them one time? What about the alphabet? Can you hear a new song one time and sing along the next time you hear it on the radio?

Catherine’s experience reinforced her belief in the importance of repetition in advertising.

“I remember one advertiser – an apartment developer – who wanted to run a splashy grand opening ad. But he didn’t want to run anything at all after that. He figured the grand opening would create so much buzz in the market that he wouldn’t need to advertise any more for a long time. In the short run, it would have been nice for my paper to have that full-page, full-color ad, but we knew it would have been a waste of his budget. We worked hard to talk him into turning that full-page budget into a mini-campaign that stretched over several weeks. We felt if we could demonstrate the value of repeating his message – with measurable results – then we could talk about extending the campaign. Our strategy worked, and he became a consistent advertiser.”

Catherine explained that her team tells advertisers about two key principles of advertising: reach and frequency. How many people will they reach? And how frequently will they reach them? Yes, a business can run one ad one time and reach all the readers in her paper’s distribution base. But without frequency, there’s little chance for success.

“Most of the time, it’s a simple concept for advertisers to understand,” she said. “Once they realize that repetition is a solid strategy, they are willing to hear how to make it work. Everybody wins. They get better results and we increase our ad count.”

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Industry News – Apr 2017

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Collaboration, gratitude are themes in acceptance remarks at NESNE journalism awards

By Bailey Knecht,
Bulletin Correspondent

Constructing strong relationships, both in the newsroom and with the local community, is the key to success in journalism, according to awards recipients at the New England Society of News Editors’ Journalism Awards Celebration. That kind of collaboration and gratitude for the award recognition were recurring themes in acceptance speeches as five journalists received key individual awards among a total of more than 20 honors doled out during the ceremony.

“Learn from each other and lean on one another,” said Karen Webber, recipient of the Judith Vance Weld Brown Spirit of Journalism Award. “As much as writing and reporting and photography is an individual accomplishment, putting it all together in a trusted, balanced report is a team sport, and, not to mention, it’s more fun that way.”

Webber was honored along with other journalists and college students and student newspapers at the New England Newspaper and Press Association headquarters in Dedham, Mass., Thursday, April 20, in a ceremony attended by about 70 people.

The following received the five key individual awards:

New England Journalism Educator of Year

Barbara Roche

Roche, a journalism professor at the University of Massachusetts-Amherst, was praised for her dedication to progress and innovation. She teaches courses that include Introduction to Multimedia Reporting, Entrepreneurial Journalism and Journalism Launchpad.

She has also has been a columnist at The Boston Globe, the Cape Cod Times of Hyannis, Mass., and other publications in New England.

“The fact that this (award) is coming from newspaper people just really means a lot to me,” Roche said in her acceptance speech. “There’s just no journalism like local journalism.”

Master Photographer, nondaily publication

Shannon Hicks

Hicks, a self-taught photographer, has been at The Newtown (Conn.) Bee for 28 years and is now associate editor there. The Bee’s editor, Nancy Crevier, described Hicks as discerning and particular.

“Her patience allows her to find the best — not always the first — photograph to capture a moment,” Cervier said.

Cervier also mentioned Hicks’ desire to help others in the newsroom, from interns to longtime employees.

“She is always striving to provide our paper with photos that enhance the pages, and she is always willing to share what she has learned about photography with everybody else on the staff,” Cervier said.

Master Photographer, daily publication

Mike Orazzi

Orazzi is chief photographer at The Bristol (Conn.) Press and has been with the Press for more than 20 years. Michael E. Schroeder, editor and publisher of the Press, said Orazzi has a great eye for news photography, as well as a creative eye for features.

“We, at the paper, know that when he goes out on assignment, he’s going to get the picture,” Schroeder said. “He has a wonderful relationship with the community.”

Schroeder, who accepted the award on the absent Orazzi’s behalf, said Orazzi’s work reflects the goals of the Press.

“He takes pictures that go along with our mission, which is to have a positive impact on our community,” Schroeder said.

Master Reporter

Jennette Barnes

Barnes, a reporter at The Standard-Times of New Bedford, Mass., spent time as editorial page editor there before returning to her job as a reporter. Beth Perdue, editor of the Standard-Times, said Barnes’s return to reporting stemmed from her passion for storytelling.

“She is an individual who just holds herself to a standard that is really high, particularly in today’s world of just moving so fast and getting story after story after story thrown at you,” Perdue said. “No matter what we throw at her, she is committed to telling the full story and getting the complete truth in a way that is factual while really capturing the spirit of the story, as well.”

In her acceptance speech, Barnes commended the journalism industry for its dedication to recognizing successful journalists.

“A lot of other fields don’t recognize good work the way we do,” she said. “So, even in this climate that we’re in — our business has changed so much — I really want to thank everybody for still keeping up with these awards of recognition. Not every field does that.”

Judith Vance Weld Brown Spirit of Journalism Award

Karen Webber

Webber, executive editor of the Telegram & Gazette of Worcester, Mass., received the award that honors the accomplishments of an outstanding female journalist in New England. Under her leadership, the Telegram & Gazette has won a number of honors, including New England Newspaper of the Year for the Sunday Telegram, Best Overall Website and Best Niche Publication for Worcester Living magazine, all from the New England Newspaper and Press Association.

Leah Lamson, former editor of the Telegram & Gazette, lauded Webber’s calm, capable demeanor and steady leadership, saying she is respected by her staff, her peers and the public.

In her acceptance speech, Webber pointed to women’s dedication to finding success in the newspaper industry during the past century.

“By the time I started at the T&G in 1982, things were much improved,” she said. “I was hired by a woman, and over the years, I’ve had fantastic female bosses and colleagues. I believe, for the most part, the playing field has been leveled. In fact, when I think of myself as a journalist, I don’t think of myself as a woman journalist — I think of myself as a journalist.”

She also spoke about journalism as a gratifying field, despite the many challenges of the business.

“All journalists, male and female, are challenged daily by fake news and by people who don’t have the time or the desire or the savvy to separate fact from fiction. It’s a time when many readers distrust the media, but, thankfully, for every angry email or voicemail that I get saying, ‘Shame on you,’ I also get another email saying, ‘Keep up the good work. We need you’,” she said

At the end of her speech, Webber gave advice to the college-aged journalists in the crowd.

“Keep up the hard work of journalism,” she said. “Be accurate and truthful. Verify your facts. Identify you sources. Be fair and be objective. Give context to your reporting. Be tough, but have a heart, too.”

The following other award winners were honored at the event:

College Rising Star

Amy McKeever, Stonehill College

College Top Journalist

Kelsey Bode, St. Michael’s College

New England College Newspaper of the Year

The Harvard Crimson, Harvard University
The Bowdoin Orient, Bowdoin College, first runner-up
The Free Press, Boston University, second runner-up
Castleton Spartan, Castleton University, third runner-up

The NESNEs awards

Best Opinion or Commentary Writing

Winner: John Breunig, The Advocate, Stamford, Conn., for
“A shield of words vs. rain of bullets”

Finalists:
Martha Ball, The Block Island (R.I.) Times, for “Breath of the Sea”
Marc Dion, The Herald News, Fall River, Mass., for “Jasiel the giver… of our money.”
Staff, The Providence (R.I.) Journal, for “A fraud, a farce, a dog-and-pony show”
Ron Chimelis, The Republican, Springfield, Mass., for “Put yourself in Granby cop’s shoes”

Best Hard News/General Reporting Story

Winner: Mackenzie Rigg, The News-Times, Danbury, Conn., for
“A Connecticut Doctor in Africa”

Finalists:
Staff, Taunton (Mass.) Daily Gazette, for “Search for Answers”
Josh Kovner, The Hartford (Conn.) Courant, for “Left in Limbo”
Staff, Republican-American, Waterbury, Conn., for “District voting gets tested”
Stephanie Barry, The Republican, Springfield, Mass., for “Inside the Mob”

Best Feature Story

Winner: Robert Kiener, Stowe (Vt.) Guide & Magazine, for “Bill Lee”

Finalists:
Steve Barlow, Republican-American, Waterbury, Conn., for “The Flood of 1955”
Mark Davis, Seven Days, Burlington, Vt., for “Right in Rutland”
Lisa Spear, The Recorder, Greenfield, Mass., for “Final lullaby”
Cyndi Wood, The Ellsworth (Maine) American., for “Alex Robbins, age 3, loses his battle with heart disease”

Best Enterprise/Long-Form Reporting Story

Winner: Staff, Cape Cod Times, Hyannis, Mass., for
“Special Report: Climate Change Hits Home”

Finalists:
Alex Elvin, Vineyard Gazette, Martha’s Vineyard, Mass., for “Coastal Ponds Balancing People and the Environment”
Jeannette Hinkle, Ipswich (Mass.) Chronicle, for “The green crab threat”
Tom Relihan, The Recorder, Greenfield, Mass., for “Charter Schools Day 1”
Izaskun Larraneta, Lisa McGinley and Tess Townsend, The Day, New London, Conn., for “I-95 Deadly, Overcrowded”

Best Watchdog or Neighborhood Reporting Story

Winner: Patrick Ronan and Hongyi Gong, The Patriot Ledger, Quincy, Mass., for
“Culture Shift in Quincy”

Finalists:
Lindsay Tice, Sun Journal, Lewiston, Maine, for “New Attitude”
K.C. Myers, Cape Cod Times, Hyannis, Mass., for “Path to Recovery”
Matthew Kauffman and Jenna Carlesso. The Hartford (Conn.) Courant, for “Hartford Soccer Stadium”
Douglas Moser, The Eagle-Tribune, North Andover, Mass., for “Is This Full Time?”

Best News Photo

Winner: Jack Foley, The Herald News, Fall River, Mass., for “Ledge”

Finalists:
Glenn Russell, The Burlington (Vt.) Free Press, for “Speed dating with Trump and Sanders”
Steven King, Worcester (Mass.) Magazine, “Comfort”
Steven King, Tom Matthews and Erika Sidor, Worcester (Mass.) Magazine, for
“Officer Ronald Tarentino Jr., End of Shift: May 22, 2017”
Robin Chan, The Hingham (Mass.) Journal, for “Unidentified girl holds a candle in memory of Cpl. Orlando”

Best Sports / Feature Photo

Winner: Robin Chan, Scituate (Mass.) Mariner, for
“Steven Litchfield checks the time of the tower”

Finalists:
Robin Chan, Marshfield (Mass.) Mariner, for “It’s a bird, it’s a plane, it’s Maria!”
Peter Pereira, The Standard-Times, New Bedford, Mass., for “Forbidden Seas”
John Love, Sentinel & Enterprise, Fitchburg, Mass., for “Fitchburg State men’s soccer players attack their opponent’s net”
Trent Campbell, Addison County Independent, Middlebury, Vt., for
“Brooke Tupper throws herself into the girls’ 16-year-old arm wrestling competition”

Best Video

Winner: Adam Silverman and Philip Tortora, The Burlington (Vt.) Free Press, for
“The Shooting of Phil Grenon”

Finalists:
Robin Chan, The Hingham (Mass.) Journal, for “Blossoming into One’s Own”
Peter Huoppi, The Day, New London, Conn., for “Bob Crelin wants you to see the stars”
Eva Sollberger, Seven Days, Burlington, Vt., for “Stuck In Vermont: Trumpnado Hits Burlington”
Ryan Mercer, The Burlington (Vt.) Free Press, for “Volunteers run their own race at Vermont City Marathon”

Best Digital Innovation

Winner: Staff, Cape Cod Times, Hyannis, Mass., for
“Life on the Edge: How Climate Change Affects Cape Cod”

Finalists:
Peter Huoppi, Casey O’Neill, Keith O’Brien and Mike DiMauro, The Day, New London, Conn., for “Casey and The Sports Doctor”
Staff, Vineyard Gazette, Martha’s Vineyard, Mass., for “Bakers experiment with ancient grains”

Best in Sports

Winner: Joel M. Lehman, St. Albans (Vt.) Messenger, for “Flight and Family”

Finalists:
Matthew Kauffman and Tom Yantz, The Hartford (Conn.) Courant, for “Inquiry Alleges Coach Cheated”
Taylor Vortherms, The Ellsworth (Maine) American, for
“Invisible, incapacitating concussions are sidelining high school athletes”

As much as writing and reporting and photography is an individual accomplishment, putting it all together in a trusted, balanced report is a team sport, and, not to mention, it’s more fun that way.

—Karen Webber, Executive editor
Telegram & Gazette, Worcester, Mass.

Barbara Roche, an instructor at the UMASS-Amherst, with Lodge.
Shannon Hicks of The Newtown (Conn.) Bee, at right, with Lodge and Nancy Crevier, editor of the Bee.

‘A lot of other fields don’t recognize good work the way we do. So, even in this climate that we’re in — our business has changed so much — I really want to thank everybody for still keeping up with these awards of recognition.’

—Jennette Barnes, Reporter
Standard-Times, New Bedford, Mass.

Michael E. Schroeder, editor and publisher of The Bristol (Conn.) Press, accepts from Lodge the Master Photographer plaque on behalf of the Press’ Mike Orazzi, who was unable to attend the awards presentation.
Jennette Barnes of The Standard-Times of New Bedford, Mass., with Lodge.

‘There’s just no journalism like local journalism.’

—Barbara Roche, Journalism Professor
University of Massachusetts-Amherst

Karen Webber, executive editor of the Telegram & Gazette of Worcester, Mass., is flanked by Richard Lodge, president of the New England Society of News Editors (NESNE), and Leah Lamson, a member of NESNE’s board of governors, who nominated Webber for the award and preceded her as the Telegram & Gazette’s top editor.
Amy McKeever, editor in chief of The Summit, the student newspaper at Stonehill College in Easton, Mass., with Richard Lodge, president of the New England Society of News Editors.
Judy Bode, grandmother of Kelsey Bode, accepted Kelsey’s award plaque on her behalf from Lodge.
Andy Duehien, managing editor of The Harvard Crimson, and Meg Bernhard, the Crimson’s former managing editor.
Julian Andrews and Meg Robbins, editors in chief of The Bowdoin Orient at Bowdoin College in Brunswick, Maine.
From left, Lodge, Felicia Gans, former editor in chief; Weihua Li, editor in chief; Mina Corpuz, former city editor; Sarah Silbiger, former photo editor of The Free Press of Boston University.
John Breunig, editorial page editor of The Advocate, Stamford, Conn.
Mary Ann Bragg, a reporter at the Cape Cod Times of Hyannis, Mass., with Lodge.
Patrick Ronan, a reporter at The Patriot Ledger, Quincy, Mass., with Lodge.
Robin Chan, a photographer with GateHouse Media New England’s south division, at right, with Richard Lodge, president of the New England Society of News Editors.
Paul Pronovost, editor in chief of the Cape Cod Times, with Lodge.

Bulletin photos by Julia Aparicio

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